- 14 July 2006
- 24
Δεν ξέρω αν έχει ξαναγίνει αναφορά και είναι πιστεύω σημαντικό:
Α genuine transfer from the original master tapes.
Audio_TS
MLP Lossless at 24/96 Resolution in 4.1
Video_TS
DTS from 24/48 Source files
Dolby Digital from 24/48 Source files
Finally you can hear Alan Parsons mix as it was always intended to be heard in studio quality audio....
Αφιερωμένο στους θιασώτες του HTPC που δεν έχουν δυνατότητα SACD
και μια και είπα SACD, δείτε και την παρακάτω κριτική σχετικά με τη σύγκριση των δυο μίξεων:
I've compared this with the 1975 Alan Parsons quad mix, and the old quad mix simply blows aways this bastardized new age version. It suffers the same problems of most modern surroung recordings... for some reason the trend is to put the band up front, and ambience in the rear. Just a slightly expanded version of stereo, with this weird reverb-y halo around everything. I don't want to sound like a nostalgiac luddite with an "everything was better in the 70's" rap, but Parsons' 75 quad mix seriously blows this SACD away. Maybe not in terms of sparkling clarity and gloss, but in terms of active surround use in a MUSICAL way. It's truly a 3 dimensional sound experience, using the quad format to its fullest potential, and in keeping with the albums' artistic intentions. I've got a fan-made DTS disc of the quad vinyl, and urge other fans of this album to seek that out first. The mix itself becomes part of the composition, whereas this Sony SACD is just a sparkling recreation that leaves a sour taste in one's ears, especially considering Parsons' should have had the job to begin with.
Α genuine transfer from the original master tapes.
Audio_TS
MLP Lossless at 24/96 Resolution in 4.1
Video_TS
DTS from 24/48 Source files
Dolby Digital from 24/48 Source files
Finally you can hear Alan Parsons mix as it was always intended to be heard in studio quality audio....
Αφιερωμένο στους θιασώτες του HTPC που δεν έχουν δυνατότητα SACD
και μια και είπα SACD, δείτε και την παρακάτω κριτική σχετικά με τη σύγκριση των δυο μίξεων:
I've compared this with the 1975 Alan Parsons quad mix, and the old quad mix simply blows aways this bastardized new age version. It suffers the same problems of most modern surroung recordings... for some reason the trend is to put the band up front, and ambience in the rear. Just a slightly expanded version of stereo, with this weird reverb-y halo around everything. I don't want to sound like a nostalgiac luddite with an "everything was better in the 70's" rap, but Parsons' 75 quad mix seriously blows this SACD away. Maybe not in terms of sparkling clarity and gloss, but in terms of active surround use in a MUSICAL way. It's truly a 3 dimensional sound experience, using the quad format to its fullest potential, and in keeping with the albums' artistic intentions. I've got a fan-made DTS disc of the quad vinyl, and urge other fans of this album to seek that out first. The mix itself becomes part of the composition, whereas this Sony SACD is just a sparkling recreation that leaves a sour taste in one's ears, especially considering Parsons' should have had the job to begin with.