Davinci Resolve Updates

evanfotis

Supreme Member
26 March 2008
3,769
[h=3]What's new in DaVinci Resolve 15.2.4[/h]
  • Improved Edit page viewer playback performance
  • Improved performance when rendering H.264 and H.265 clips on MacOS
  • Improved stability when using the latest version of Intel OpenCL drivers on Windows
  • Improved performance when saving timeline changes in a project
  • Improved performance when loading a project with a large number of audio tracks and buses
  • Improved handling of 5.1 and 7.1 audio when working with IMF clips
  • Improved support for decoding some Canon XF-AVC clip formats in DaVinci Resolve Studio
  • Improved font detection on Windows with support for fonts installed in user directories
  • Support for the Sony Venice 3.0 firmware update
  • General performance and stability improvements
https://www.blackmagicdesign.com/support/family/davinci-resolve-and-fusion
 

Dark74

Senior Member
25 August 2010
474
Καλησπέρα

Έχω την εξής ερώτηση παιδιά. Έστω ότι έχεις τραβήξει ένα πλάνο με μια Sony a6500 4K 25 fps.. Ως γνωστόν το bitrate στη κάμερα είναι 100Mbps. Αν θέλεις να κάνεις deliver (export) πως μπορείς να εξάγεις με τη λιγότερη δυνατή απώλεια το αρχείο σου ??

Υποθέτω ότι δεδομένου ότι το bitrate είναι 100 Mbps, δεν έχει νόημα να πας παραπάνω ή παρακάτω οπότε το ξαναβάζω restricted to 100000kbps
Βάζω (φαντάζομαι σωστά) το encoding profile στο high
και μετά υπάρχει μια επιλογή για την οποία κανείς δεν έχει μιλήσει σε κανένα βίντεο που έχω δει και είναι το "keyframe" το οποίο από default είναι στο 12 (βλέπε φώτο). Αν βάλω το keyframe στο 1 τι ακριβώς επηρεάζει. Από 1-2 τεστ που έκανα σε βίντεο με banding στα χρώματα, νομίζω ότι με το keyframe στο 1 είχα καλύτερο αποτέλεσμα.

Καμιά ιδέα ?

resolveexport.jpg
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22 June 2006
31,408
NEO HRAKLEIO
ενα αναλυτικο αρθρο για το θθεμα....
https://video.ibm.com/blog/streaming-video-tips/keyframes-interframe-video-compression/

Προσωπικα δεν το πειραζω, αλλα δε χανεις να δοκιμασεις.

συνηθως, αν θελω να εχω μια "μητρα" εξαγωγης οσο καλυτερη γινεται, επιλεγω prores 444 (mac) ή DNX HQX (PC) και μετα κανω οτι format θελω απο εκεινο.


με λιγα λογια...


The keyframe distance is the maximum number of frames before the encoder inserts an i-frame, which is the highest-quality frame of an MPEG stream (ie, it has all the information for a single frame of video inside of it rather than relying on the frames around it to reconstruct). In between the i-frames are b-frames and p-frames, which are "difference" frames that reconstruct that frame of video by looking at the nearest i-frame and applying all the "difference" frames from that point forward (or backwards). The collection of an i-frame and all its connected p-frame and b-frames is called a GOP, or "Group of Pictures". So in essence the "keyframe distance" value determines the length of each GOP.

Note that Premiere automatically inserts a new i-frame for scene changes, irrespective of the keyframe distance value. This is to assure video quality at the start of a new scene since there wont be enough in common from previous b-frame and p-frames.

Generally speaking, the more i-frames you have, the higher the image quality of video, but also the larger the size of the video. So the value you choose for keyframe distance is a balance between the file size you want the video to fit in vs quality. If you're not concerned with file size or the file size generated is within reason then you can just leave it to its default value. Otherwise you can tweak it as part of the process to get the file size down to where you want it to be (in combination with the other encoder parameters such as bitrate).
 

Dark74

Senior Member
25 August 2010
474
Καλησπέρα σε όλους και καλό χειμώνα ? (ή να μην το πω ακόμα)

Είπα τον Αύγουστο να αφιερώσω λίγο παραπάνω χρόνο στο Davinci Resolve. Η αλήθεια είναι ότι στη χρωματική επεξεργασία μου φαίνεται ανώτερο από το Premiere. Για την ακρίβεια αρκετά ανώτερο ενώ στα θετικά επίσης αναμφίβολα θα έβαζα και το γεγονός ότι πάει σφαίρα όταν το Premiere δυσκολεύεται ακόμα και σε 1080p (το 4Κ ειδικά σε 50fp, είναι σκέτο δράμα), ειδικά με εφφε.

ΟΜΩΣ, πέραν των ανωτέρω, αρχίζει και μου φαίνεται κάπως μπελαλίδικο σε ότι αφορά εφφέ και transtition. Στο Premiere έχεις πάρα πολλές επιλογές με ένα drug and drop.. π.χ. θες να βάλεις ένα εφφέ glitch, drug & drop με τα keyframes και ολα τα καλά. Εδώ είδα ότι τα εφφέ είναι αρκετά περιορισμένα και απο μερικά video στο youtube διαπίσωσα ότι οι περισσότεροι ανοίγουν το tab του Fusion για να κάνουν το οτιδήποτε πέραν των εργοστασιακών ή αρχιζουν μια χρονοβόρα διαδικασία στο color tab.
Υπάρχει κάτι που χάνω ? Ισως να μην τα λέω και καλά γιατί μόλις ένα μήνα αποφάσισα να ασχοληθώ σοβαρά και η αλήθεια είναι ότι ο αρχικός ενθουσιασμός ειδικά στο colour grading αρχίζει και χάνεται από τον περιορισμό σε διάφορα εφφέ που θα ήθελα και στο Premiere είναι πιο άμεσα χωρίς να χρειάζεται να μάθει κανείς τις εντολές των nodes του fusion. Γνώμες ?
 
22 June 2006
31,408
NEO HRAKLEIO
Το davinci είναι για cinema editing , και κυρίως color grading.

Αν θες ευκολα και γρήγορα εφέ, ειδικά πολλά preset κι έτοιμα transitions κλπ, τότε μείνε με το premiere.

To fusion είναι δύσκολο φρούτο και θέλει και πολύ δυνατό μηχάνημα.
Είναι όμως κυρίως για special effect Kai compositing...δεν είναι σαν το after effects.

Sent from my Mi 9T using Tapatalk
 

Dark74

Senior Member
25 August 2010
474
Αν εξαιρέσουμε το γεγονός οτι το Fusion είναι με nodes (ως σύστημα) ενώ το after effects με layers, γιατί λες οτι το Fusion είναι "κυρίως για special effect Kai compositing...δεν είναι σαν το after effects." ?? Με εξαίρεση το περιβάλλον που είναι με nodes (άλλος τρόπος φαντάζομαι) δεν αποσκοπεί ακριβώς στο ίδιο κοινό-εργασία όπως και το After Effects ? Το after affects και αυτό δεν χρησιμοποιείται (τουλάχιστον μέχρι πρότινος) για special effect και composition ?
 
22 June 2006
31,408
NEO HRAKLEIO
οχι δεν ειναι.... το ae απευθυνεται κυριως σε μεμονομενους χρηστες , που θελουν διασυνδεση με premiere , illustrator kai photoshop, σε μικρες διαφημιστικες, σε τηλεοπτικους σταθμους...για γρηγορο κυριως αποτελεσμα.
Eιναι πιο πολυ για motion design ενω το fusion κυριως για 3d compositing (real 3D, οχι 2 1/2 που ειναι το AE) , κινηματογραφο και ακριβες παραγωγες τηλεοπτικες και διαφημιση υψηλου επιπεδου.

Ειναι πιο δυσκολο να κανεις απλα πραγματα με το fusion, αλλα πιο ευκολο να κανεις πολυπλοκα compositing.



το καλοκαιρι καναμε το πρωτο fusion σεμιναριο στην Ελλαδα, με πιστοποιηση απο την ιδια την BM.

Θα ητααν καλο να το ειχες παρακολουθησει...
 

evanfotis

Supreme Member
26 March 2008
3,769
DaVinci Resolve 16.1

What's new in DaVinci Resolve 16.1
Cut

Sync Bin view which shows synced clip cutaways for the current shot on the timeline in a live multi-view for up to 9 cameras
Sync Clip window to perform timecode based, audio waveform based and in or out point based syncing for clips
Live overwrite from the Sync Bin multi-view where the desired camera number can be pressed on the keyboard and the cut away length can be adjusted live with the scroll dial
Support for automatically grouping shots from one camera by analyzing timecode and camera number metadata
Close Up is now powered by the DaVinci Neural Engine to automatically identify multiple faces in the clip and reframe and zoom in on the subjects
Ability to extend the timeline from the Sync Bin view to easily find the next edit for your timeline
Smart Indicators on the timeline which show where the closest edit points are based on the playhead position
Boring detector with timeline indicators to detect edits which are running too long
Jump cut detector with timeline indicators for flash frames and jump cuts
Support for a new transition dialog to quickly find and apply the desired transition to the closest edit point using the scroll dial on the DaVinci Resolve Editor Keyboard
Support for a new picture in picture mode to quickly apply a picture in picture edit by easily selecting the image quadrant using the scroll dial in the DaVinci Resolve Editor Keyboard
Support for a new blended scroll mode in the DaVinci Resolve Editor Keyboard that dynamically toggles between scroll and jog transport
Support for a split clip action in the toolbar
Support for performing a slide edit by Alt/Option + dragging the timeline clip overlay
Support for adding bins and moving clips between bins in the media pool
Improved representation of small cuts on the top timeline
Improved thumbnail clip hover behavior when selecting and previewing source media in the viewer
Improved responsiveness when scrubbing the in and out points for long clips in range editor

Edit

Support for using embedded timecode for clip based formats when the project setting is set to use frame count timecode
Ability to copy and paste transitions across multiple edit points in the timeline
Support for switching between clip and edit point selections on the timeline
Support for temporarily toggling between selection and trim edit mode during an edit action
Support for track name and track number burn-in and render tags
Support for previewing audio when dynamic trimming at greater than 1x speeds
Support for dragging adjustment clips to the media pool
Support for renaming adjustment clips in the inspector
Support for showing or hiding individual panels using keyboard shortcuts
Improved default multicam naming behavior
Ability to name angles after clip names or file names when creating a multi-cam clip
Support for matching a multicam edit frame to the underlying source clip
Support for switching to the correct multicam angle when performing a multicam match frame
Improved graticule and timecode display on timeline rulers
Support for opening Final Cut Pro 7 XML files from Finder to import media or timelines on macOS systems
Alt/Option-clicking on a track destination selector on the edit timeline will now exclusively select that track
Support for tooltips to show track names in the mini track view
Support for automatically selecting the newly added take in the take selector
Improved dual screen behavior for the edit page with support for single viewer and full height metadata and effects library
Improved performance when analyzing clips for detecting and classifying people
Improved easing behavior when applying smoothness to position keyframes
Improved blade behavior when there is a clip selection
Improved behavior when navigating between clips and edit points on the edit timeline when subtitles are present

Fusion

Support for reading media with super scale applied in the media pool
Support for Blackmagic Pocket Cinema Camera presets in the Camera3D and CameraTracker tools
Improved memory management on compositions with multiple input layers
Improved memory management on multi-GPU systems
Improved viewer interactivity and playback performance on single GPU systems
Improved render all savers status display
Support for ACEScg as a gamut option

ResolveFX

ResolveFX Stop Motion
ResolveFX and OpenFX plugins can now process and modify the alpha channel
Support for additive compositing for ResolveFX Light Rays and ResolveFX Glow
Support for automatically enabling usage of OFX alpha for ResolveFX Match Move and ResolveFX Drop Shadow

Color

Support for viewing flags applied on the current clip on the video monitoring output
Support for limiting viewer overlays in HDR mode to 100 nits
Support for an option to update the shared node grade from a version stored in a gallery still
Support for stereoscopic controls in the Blackmagic DaVinci Resolve Mini panel
Support for OpenFX controls in the Blackmagic DaVinci Resolve Mini panel
Support for generating high resolution 65-point cube LUTs from color page thumbnails
Ability to paste a power window by appending to the existing windows from the Power Windows option menu
Support for a user preference under color to restrict node navigation to color corrector nodes and avoid mixer nodes and splitter and combiner nodes
Improved CIE scopes with a 1976 u’v’ view and the ability to show an additional reference gamut
Improved color match processing powered by the DaVinci Neural Engine
Ability to step the timeline wipe frame forward and back from the view menu and using the relevant shortcuts
Support for previewing timeline clip grades from the gallery when live preview is enabled
Support for a 2.0:1 output blanking preset in the timeline menu
Support for Fujifilm F-Log colorspace
Restored menu entries for half step printer lights in the color application menu

Fairlight

Support for 96 KHz and 192 KHz sample rates at a project level for DaVinci Resolve Studio
Support for clipping indicator for main buses on the Fairlight mixer
Improved sound library search with support for binary and wildcard searches
Support for enabling extended bounce tail durations from the option menu for audio clips with reverb and other tail effects
Support for customizing the tail duration threshold for reverb and other tail effects
Support for automatically enabling Insert In for an audio track when manually patching track inputs
Improved performance when loading and switching timelines
Improved performance when generating waveform profiles for nested timelines
Improved peak hold and decay behavior for meters in FairlightFX plugins
Support for displaying and persisting individual audio effect windows on top of other windows

Media and Delivery

Ability to preserve video essence for faster rendering of uncompressed clips without content changes
Support for decoding and encoding ProRes IMFs
Support for decoding and encoding DNxUncompressed half float formats
Support for decoding IMA4 format audio in QuickTime clips
Support for decoding floating point audio in QuickTime clips
Support for a preference to stop renders when a frame or clip cannot be processed
Support for decoding floating point TIFF images
Support for decoding DPX 10-bit RGBA files
Support for encoding AVC Intra 50, 100 and 200 on DaVinci Resolve Studio
Support for user selectable audio sample rates for timeline renders
Improved performance when decoding H.264 and H.265 clips using GPU acceleration on AMD graphics cards
Improved encoding to Panasonic SHV 8K with support for 50fps in DaVinci Resolve Studio
Improved support for reading QuickTime container metadata
Ability to disable video on Pro Tools and audio only exports
Support for exporting EDLs with multiple audio tracks
Ability to render adaptive audio tracks as discrete mono channels
Ability to export subtitles when exporting a timeline to Pro Tools using the deliver page preset
Support for rendering embedded audio timecode for synced audio clips when using the Pro Tools export preset
Support for GPU accelerated debayering on CUDA systems when decoding ARRIRAW clips using the ARRI SDK Full Res debayer
Improved Vimeo render settings with options for setting description, visibility and password for the uploaded video
Support for a warning when exporting an IMF or DCP package with an incorrect audio track setup
Support for decoding spanned AVCHD MTS clips
Improved playback speed when decoding JPEG 2000 clips
Improved performance when media managing long wav files
Improved performance when rendering QuickTime clips to network mounted drives
Improved performance when switching to bins that contain a large number of clips
Improved performance when deleting a large number of media pool clips
Improved behavior when rendering a single multi-channel audio track as individual wav files
Improved ProRes 4444 playback performance
Support for identifying and importing multiple Panasonic P2 shots in a single folder as separate clips

General

Support for a Clean Feed viewer mode on an additional display on DaVinci Resolve Studio
Ability to halve the current playback speed as well as playback at half, quarter and 1/8th speed using the Play Slow command
Support for additional flag and marker colors
Support for resolving the good take tag to # instead of 1
Ability to repeat alternate frames for 48fps clips in Clip Attributes to emulate 24fps capture and playback
Support for retaining the original creation date metadata when restoring or importing projects
Improved behavior when editing parameter values using Wacom tablets
Improved playback performance in the media, edit and cut pages
Improved performance when live saving projects
Improved performance when saving projects in collaboration workflows
Improved playback quality for variable frame rate QuickTime files
Improved scripting API with support for deleting a project
Improved scripting API when getting and setting frame rate and super scale properties from project settings and clip attributes
Support for disabling unbuffered I/O for any media storage location on macOS systems
Support for decoding ALAC files on Windows and Linux systems
Support for an option to optimize projects in disk databases by Option/Alt right clicking a project in the project manager
Support for accessing and editing project notes from the File menu
Support for choosing the preferred network interface from the project server application when sharing databases and generating access keys
General performance and stability improvements

https://www.blackmagicdesign.com/support/download/1649a7027eed41a1a7633e0dd348195c/Mac OS X
 

evanfotis

Supreme Member
26 March 2008
3,769
DaVinci Resolve 16.2
What's new in DaVinci Resolve 16.2
Fairlight timeline editing toolset improvements.

New mouse and keyboard based editing toolset.
User adjustable per track scalable waveform display.
Keyboard shortcut editing actions now include fade, cut, select and move.
Support for alt/option dragging clips to create a clip copy.
Support for pasting clips across timelines.
Support for bouncing individual audio clips to files.
Support for dragging audio clips to separate tracks using modifiers.
Support for dragging audio clips to specific positions using modifiers.
Support for converting multichannel tracks into linked groups.
Support for a user preference to align audio edits to frame boundaries.
Support for an action to trim all audio edits to frame boundaries.

Fairlight sound library.

Release of the Fairlight sound library installer for foley effects.
Support for searching and displaying sound library description metadata.

Effects and plugin management improvements.

Automatic sorting of AU and VST audio effects into types and categories.
Favorite audio plugins are now displayed at the top of the mixer plugin list.

Additional immersive audio support.

Support for MPEG-H bussing and monitoring in DaVinci Resolve Studio.
Improved pan and balance including the ability to constrain panning.

Track Index improvements.

Support for the edit index in the Fairlight page.
Drag selection of tracks, mute, solo and record controls in the track index.
Drag and drop reordering of audio tracks in the track index.

AAF import/export improvements.

Support for importing AAF sequences as new tracks in an existing timeline.
Support for importing AAF sequences with an offset to an existing timeline.
Support for importing multichannel tracks from an AAF as linked groups.
Support for broadcast wave files when exporting an embedded AAF.
Support for exporting audio cross fades and fade handles in AAF files.

Audio mixing improvements.

Support for additional notch filters in clip EQ.
Support for new FairlightFX Meters.
Support for new FairlightFX LFE Filter.

Fairlight Audio Editor improvements.

Support for dedicated controls for panning up and down.
Support for editing clip EQ.
Support for copying and pasting clip EQ.
Support for creating and applying presets for clip EQ.
Support for adding, managing and custom mapping of plugin parameters.
Support for changing relative clip levels.
Support for resetting clip levels to unity.
Support for editing fade shapes and deleting fades.
Support for saving and recalling user defined track view presets.
Support for enabling layered audio editing from the desktop audio editor.
Support for choosing automation curves from the editor panel or console.
Improved behavior when moving track selection with no tracks selected.
Support for improved timecode entry and high frame rate timecode.
Support for entering relative timecode values.
Support for inserting 00 in timecode entry by using the colon key.
Support for master spill on console faders.
Support for finer adjustment of controls using the mouse or audio editor.
Support for media left and media right selection keys.
Support for a text-only labels mode.
Support for a traditional Fairlight keyboard layout.

Improved support for legacy Fairlight project import.

Improved import of EQ, automation and fade from legacy Fairlight projects.
Improved speed when importing large legacy Fairlight projects.

Editing improvements.

Improved performance when switching to large timelines with many tracks.
Support for creating a compound clip from an in-out range in the timeline.
Support for previewing timeline audio during live overwrites of video edits.
Support for editing individual angles to the timeline from a multi-cam viewer.
Support for updating clip duration display while editing in the cut page.
Support for a change transition duration dialog.
Support for viewing duration in frames or timecode format in the viewers.
Support for Fusion transition templates in the edit page.
Support for Fusion generator templates in the edit page.
Support for timeline view options per system in collaborative projects.

Media Pool improvements.

Improved audio track metadata support with support for up to 24 tracks.
Support for duplicated clips and timelines being placed in the source bin.
Support for sorting media pool clips by date added.
Support for showing synced audio filenames in the media pool list view.
Support for revealing the media pool location of a clip from a smart bin.
Support for a media pool context menu to duplicate clips and timelines.
Support for only additional files when repeating media management copies.

Color grading improvements.

Multiple stability and usability improvements for collaborative projects.
Support for smart filters based on keywords and people metadata tags.
Support for modifying primary grade values using numerical values.
Support for retaining out of range data when monitoring at video levels.
Support for Fusion MediaOut name tooltips on the node graph inputs.
Support for feet and frames data burn-in options.
Support for disabling output sizing and blanking for individual clip renders.

Scopes improvements.

Support option for showing scopes at video level and data level.
Support for HLG gamma when using HDR scopes.
Support for highlighting the color viewer qualifier position in the scopes.

Codec improvements.

Support for Blackmagic RAW SDK 1.7.
Support for rendering audio only timelines.
Support for decoding 32 bit floating point audio.
Improved support for color space and gamma when decoding H.265 clips.
Support for displaying EXR codec name based on compression method.
Support for overriding the color space and gamma tags in render settings.
Support for RED SDK 7.2.1 and decoding clips from the Komodo camera.
Support for two new parameters in the RED camera raw settings.
Support for REDWideGamut Log3G10 IDT for ACES projects.
Support for the Canon EOS-1D X Mark III camera.
Support for decoding u-Law Audio in QuickTime clips.
Support for alpha channel clips with the bypass re-encode option.

Scripting, API and general improvements.

Support for running the primary screen as a window in dual screen mode.
Improved scripting API with the ability to close an open project.
Improved scripting API to set frame rate for media pool clips.
Support for new scripting functions to return ordered lists.
Support for video monitoring advance and delay on the Fairlight page.
Support for GPI/GPO control on the Fairlight Audio Interface.
Multiple performance and stability improvements.
 

evanfotis

Supreme Member
26 March 2008
3,769
Davinci Resolve Update 16.2.2

Κυκλοφόρησε σήμερα η 16.2.2
What's new in DaVinci Resolve 16.2.2

  • Hardware accelerated H.265 Main10 renders on supported Macs.
  • Blackmagic RAW clip LUT name can now be viewed in clip metadata.
  • Ability to assign frame rate in YouTube, Vimeo and Frame.io renders.
  • Support for marking Frame.io comments in markers as complete.
  • Nudge keyboard actions can be used in the sync clip dialog.
  • Support for exporting .srt files without formatting.
  • Support for RED 7.3.1 SDK.
  • Support for Rec.709-A gamma option for QuickTime player compatibility.
  • Preference to automatically tag Rec.709 clips as Rec.709-A.
  • Addressed level shifts playing some short H.264 clips on Mac systems.
  • Addressed loss of audio transition when trimming clips in the timeline.
  • Addressed issues with stabilization not being available in the inspector.
  • Addressed issues with incorrect channel order for audio waveform display.
  • Addressed an issue with previewing in Fusion when in proxies mode.
  • Addressed an issue with using reference sizing with timeline wipe.
  • Addressed an issue with aspect ratio metadata in some MXF renders.
  • Multiple performance and stability improvements.
 

evanfotis

Supreme Member
26 March 2008
3,769
Κυκλοφόρησε η έκδοση
DaVinci Resolve Studio 16.2.3

What's new in DaVinci Resolve 16.2.3
• Support for Dolby Vision 4.1 CM algorithm to generate v2.9 trims from v4.
• Option to export a Dolby Vision v2.9 XML from a v4 project.
• Support for RED SDK 7.3.2.
• Faster Metal decoding for Canon EOS-1D X Mark III and EOS R5 clips.
• Addressed incorrect playback for some ARRIRAW clips.
• Addressed an issue with ACES IDTs for some ARRI MXF clips.
• Addressed a focus and text entry issue for editable media pool fields.
• Addressed an issue rippling audio extend edits in trim mode.
• Addressed display issues with track and edit index in Fairlight page.
• Addressed a layered editing issue when cloning audio clips.
• Addressed incorrect behavior moving tracks over linked audio tracks.
• Addressed incorrect masking in Text+ when using image shading.
• Addressed incorrect behavior deleting gradient points in inspector.
• Addressed multiple issues with blank Fusion previews.
• Addressed an issue persisting viewer LUTs with comps in Fusion page.
• Addressed an issue with offline reference wipe sizing in the viewer.
• Multiple performance and stability improvements.
 

evanfotis

Supreme Member
26 March 2008
3,769
Mε τη τελευταία beta, το edit page μετα απο λίγο σέρνεται σε playback > choppy > unusable.
Ουτε low resolution, ουτε απενεργοποιημένα εφφέ τιποτα δε το σώνουν.

Αντιθετα το Cut page πάει σφαίρα. Και με εφφέ και full res....
Τι παίζει;

Αναγκάζομαι να κάνω ενα rough cut στο Cut page με όλους τους περιορισμούς γιατι στο edit δε γινεται...
 

evanfotis

Supreme Member
26 March 2008
3,769
Τελευταία μου κολλάει οταν φορτώνει στo Looking for control surfaces.
Καμιά ιδέα;
 
22 June 2006
31,408
NEO HRAKLEIO
εχεις καποιο χειριστηριο συνδεδεμενο ή ειχες πριν ?
Αν ναι, Βγαλτο για λιγο και δες ή ξαναπερνα το προγραμμα καθαρο.

Σε σταθερη εκδοση , οχι βετα φανταζομαι....
 

evanfotis

Supreme Member
26 March 2008
3,769
Nομιζω ένα usb3.1 hub δημιουργεί το θέμα. Όταν το απόσυνδέω προχωράει κ ανοίγει..
 

evanfotis

Supreme Member
26 March 2008
3,769
Ας βάλουμε και τιε προσθήκες του Studio 17 Public Beta 6 που κυκοφόρησε 21/12, αν και σύντομα θα έχουμε πάλι αλλαγές.
About DaVinci Resolve Studio 17.0
Important information regarding database management

DaVinci Resolve 17.0 requires a database upgrade from DaVinci Resolve 16.2.7 and previous versions. We strongly recommend that you back up your existing database (both DiskDB and PostgreSQL) before performing an upgrade.
What's new in DaVinci Resolve 17.0
Color

DaVinci Resolve Advanced Panel keycaps kit and new optimized menus.
RCM2 with improved color tagging and smooth tone and gamut mapping.
HDR perceptually accurate primary grading tools with tonal range control.
Color warper to qualify and change hue vs saturation and luma vs chroma.
Magic mask using the DaVinci neural engine generates tracking masks.
Redesigned primary interface to show all controls concurrently.
Grading tools are colorspace aware in color managed timelines.
Support for user selectable colorspace and gamma for HDR grading tools.
Support for timeline clips to bypass color management.
Support for sat vs lum mode in the curve tool.
Support for generating a 17-point cube 3D LUT.
Support for LUTs designed for video range.
Support for saving smart filters to be shown in all projects.
Support for smart filters for marker keywords added to timeline clips.
Support for diagonal, venetian blinds and checkerboard reference wipes.
Support to set input colorspace, gamma and IDT on preconform timelines.
Support for a pop-out floating window for the curves panel.
Support for fast review from the playback menu on the color page.
Support for a 3x3 grid view and multiple GPU scopes of the same type.
Support for a floating video scopes window in dual screen layouts.
Improved scaling and style options for waveforms and vectorscopes.
Support for loading IDTs and ODTs as a DCTL file or ACES RRT.
Support for defining LUTs inside a DCTL file.
Support for multiple simultaneous client connections in remote grading.
Support for advanced and mini panels networking for remote grading.
Support for a split screen playhead viewing mode.
Support for improved split screen layouts.
Support for converting in-out ranges to duration markers.
Improved behavior when drawing bezier power windows using a mouse.
Option to use a Rec.2020 matrix for 4:2:2 video monitoring.

Resolve FX

Resolve FX Smear frame blending for motion blur and other effects.
Resolve FX Motion Trails temporal motion blur, object trails, disco effects.
Resolve FX Transform clip moving, stretching and rotation with motion blur.
Resolve FX False Color overlays replicating camera HUDs and other looks.
Resolve FX Texture Pop for fine image detail and contrast control.
Resolve FX Detail Recovery for detail and grain recovery.
Resolve FX Noise Reduction native noise reduction tools as Resolve FX.
Resolve FX Video Collage to quickly position a stack of clips into a grid.
Resolve FX Luma, HSL and 3D native keying tools as Resolve FX.
Improved Resolve FX Film Grain with new optimized mode.
Improved Resolve FX Dead Pixel Fixer with freehand fill, softness etc.
Improved Resolve FX Dust Buster with shape drawing, clone fixes etc.
Improved Resolve FX Object Removal for scene mode, adaptive blending.
Improved Resolve FX Blur defaults for directional, radial and zoom blurs.
Improved Resolve FX Tilt Shift with alpha channel support for depth masks.

Audio

Support for the Fairlight Mini Console.
Fairlight Audio Core to natively CPU process up to 2000 audio tracks.
FlexBus routing system to permit bus to bus routing and mixing.
ADM import, playback and export of Dolby Atmos IMF IAB masters.
Fairlight FX Surround Analyzer meters.
Full implementation of the 9.1.6 and 22.2 surround sound bus formats.
Native support for 44.1 KHz sample rate audio clips and instruments.
Analyzing and navigating to audio transients in a track.
Offline clip-based audio loudness analyzer.
Selection of absolute or relative scales and loudness meter dialog gating.
Pro Tools keyboard customization preset.
Full range of video controls in the new unified and tabbed inspector.
Updated editing, range and selection behavior in edit selection mode.
Support for importing AES31 audio timelines.
Support for pre-viewing video when sliding clips, markers and ranges.
Support for reversing audio clips.
Support for flattening audio track layers.
Support to have automation following clip edit changes.
Support for saving, recalling, creating timelines via configuration presets.
Support for editing linked clips.
Support for marquee selection of multiple mixer tracks.
Support for changing the track type of multiple selected tracks.
Support to directly edit in the mixer track and VCA group names.
Support for deleting multiple empty tracks from the track header.
Support for deleting marked extents on selected tracks.
Support for per-timeline views, selections, range and playhead location.
Support for changing clip gain using shortcuts.
Improved clip gain with change tooltips and fine control using shift.
Support for bouncing linked groups to a multi channel file.
Support for track record, mute, solo, arm control in the application menu.
Support for viewer to be off, floating, docked or full screen.
Support for toggling interface between normal and cinema viewer mode.
Support for monitoring volume dB level tooltip.
Support for selecting multiple monitor sources from Fairlight audio editors.
Support for pre & post roll control from the Fairlight audio editors.
Support for selection of Fairlight Audio Interface phantom power, gain etc.
Improved waveform display when zooming into a clip waveform.
Improved metering displays for timelines with lots of audio tracks.
Improved keyboard mappings for edit selection mode.
Improved MPEG-H workflow and export support.

Cut

Support for the DaVinci Resolve Speed Editor.
Full featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Media pool slate and sort view with grouping based on clip metadata.
Audio trim on the viewer and timeline.
Live scrubbing previews for effects library transitions, titles and effects.
Support for a new relink icon and dialog in the cut page.
Support quickly switching source tape bins from the media pool.
Support for showing the media pool in a flattened view.
Playhead indicators for distance to adjacent edits when using sync bins.
Support for a change duration dialog with presets in the cut page.
Support for entering the clip duration in the viewer duration field.
Support for navigating edit points and markers in the cut page.
Support for a thumbnail view in the effects library.
Support for a full screen preview icon on the viewer.
Support for selecting safe area guides and aspect ratios on the cut page.
Support for a cinema viewer with sync bin multi-views.
Support for switching timelines in the viewer.
Support for importing frame sequences as individual still images.
Improved markers entry using the DaVinci Resolve Editor keyboard.

Edit

Full featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Significantly improved DaVinci neural engine deinterlacing quality option.
Significantly improved processing of interlaced timelines and deliveries.
Real time removal of 3:2 pull down.
Scene cut detection directly on the timeline using DaVinci neural engine.
Automatically framing shots based on content using DaVinci neural engine.
Quick and clean chroma keying with Resolve FX Luma, HSL and 3D Keyer.
Resolve FX Video Collage for multiple source picture in picture grid.
Burn away transition with options to control burning, melting and shriveling.
Sync of multiple audio clips to a single video clip.
Aligning edits on the timeline using waveform or timecode matching.
Importing BorisFX Continuum plugins, transitions etc. from AAFs.
Live scrubbing previews for effects library transitions, titles and effects.
Media pool slate and sort view with grouping based on clip metadata.
Deleting gaps based on clip selection, ranges or the whole timeline.
Support for rendering sections of the timeline in place with effects baked in.
Support for motion blur controls for motion based video transitions.
Support for dragging effects directly into the inspector.
Support for conversion of basic transitions into Fusion transitions.
Support for timeline compositing using Resolve FX & OpenFX alpha.
Support to retain image position in the crop section of the inspector.
Support to navigate the timeline with arrow keys without affecting selection.
Support to change clip selection using arrow keys and command modifier.
Support for a thumbnail view in the effects library.
Support for sorting timelines alphabetically, creation date or recent use.
Support for disabling timelines within the media pool.
Improved timecode entry with multiple modes and dedicated action.
Support for copy paste of timecode or frame in viewers based on mode.
Support for compositing using track mattes or external alpha.
Support for Fusion effect templates in the edit page.
Support for viewer overlays for Fusion templates and titles.
Support to save and show smart bins in all projects.
Support for creating multiple multicam clips by splitting at gaps.
Support for compound clip or timeline conversion into multicam clips.
Support to optionally zoom timeline at the cursor or the playhead.
Support for a fast play review from the playback menu.
Support for hovering on title font names to preview on viewer.
Support for monitoring HDR and SDR outputs for Dolby Vision projects.
Support for monitoring stereoscopic 3D timelines.
Support for creating DCTL based transitions.
Support for importing EDL, XML etc. without media to empty media pool.
Support for floating video scopes in media view in a dual monitor mode.
Support for closing take selector or retime using escape.
Support for creating a new timeline using an IMF composition playlist.
Improved behavior when switching between clip and edit point selections.
Improved waveform syncing when creating multicams or aligning clips.
Improved track compositing when the media doesn't cover the full canvas.
Support for independent track height and view mode options.

Fusion

Audio playback along with waveform display in the keyframes panel.
Viewing and editing clip and timeline markers in the keyframes panel.
Resolve FX Dead Pixel Fixer, DCTL and Patch Replacer.
Anim curves modifier for convenient easing and shaping of animations.
Support for user customization of the Fusion toolbar above the node editor.
Support for auto creating a composition when adding tools or media.
Support for additional dual screen layouts.
Support for full featured unified inspector with tabs and keyframe control.
Initial support for a GPU accelerated 2D shapes toolkit for motion graphics.
Improved optical flow behavior.

Workflow Integrations

Open toolkit to create DaVinci Resolve Studio workflow integration plugins.

Codecs

Directly uploading to Twitter from within DaVinci Resolve.
Per frame metadata from Blackmagic RAW clips.
Per frame metadata from ARRI, RED, Canon and Sony cameras.
Decoding and rendering per-frame EXR metadata.
Updated metadata support for Sony MXF clips.
Open plugin SDK toolkit for encoder developers.
Growing file support in the media pool.
Decoding QuickTime PNG clips.
Decoding uncompressed RGB 8-bit and YUV 10-bit AVI clips.
Decoding spanned Panasonic 8K SHV clips.
Decoding and encoding GoPro CineForm clips with non multiple of 16 res.
Decoding and encoding mp3 audio in Linux.
Decoding and encoding high-throughput JPEG 2000 (HTJ2K).
Bypass re-encodes for supported JPEG 2000 profiles on renders.
Encoding IMF MCA audio metadata.
Encoding IMF and DCP as reels based on duration or edits.
Exporting non-HDR DCP metadata option.
Exporting HDR tags in DCP workflows.
Support for reading RAW clips and audio clips from Frame.io.
Support for additional NVIDIA encoder parameters for H.264 and H.265.
Support for rendering 10-bit HDR IMF clips.
Support for a 16 bit SDR IMF preset.
Support for Photon 4.8.0 for IMF validation.

General

Proxy media workflow supporting internal and externally generated media.
Optimized media is now automatically available across projects.
Generation of optimized media can now be limited to edit extents.
In and out ranges are now synchronized between pages.
Significantly improved performance with large collaboration projects.
Stability improvements with new GPU detection and initialization.
Better interactivity and playback performance on multi-GPU systems.
Consistent pan, zoom and scroll behavior with mouse and trackpads.
Support for importing and exporting individual timelines using .drt files.
Support for importing and exporting individual bins using .drb files.
Support for exporting .drt files for media managed timelines.
Support for auto linking .drt files to source camera clips.
Support for auto linking .drt files generated using media management.
Improved error handling for media management jobs.
Support for a warning about media offline when creating render jobs.
Support for smart bins and smart filters to check if media is offline.
Support to scan all connected databases for remote rendering jobs.
Support for new resize filter options in project settings and edit inspector.
Support for render caching adjustment clips.
Support to adjust numeric field entries using arrow keys based on cursor.
Support to ignore unsupported OpenFX plugin packages in preferences.
Support for independently configuring capture and playback devices.
Support for displaying source frame number in data burn-in.
Support for adjusting text opacity for data burn-in.
Support for configuring multiple custom LUT paths.
Support for Thai & Vietnamese UI localizations.
Support for a render codec tag for render path and file name.
Support for ITU-R BT.2111-1 HDR test bar patterns.
Support for showing fast forward & rewind speed.
Support for NVLink high speed interconnect with supported NVIDIA GPUs.
Support for xGMI high speed interconnect with supported AMD GPUs.
Support for an integrated title bar in the application window on Mac OS.
Support for previous and next navigation across Frame.io markers.
Support for triggering a script at the start or end of a render.
Multiple scripting API improvements.
Multiple performance and stability improvements.