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<blockquote data-quote="cyclist" data-source="post: 1057783651" data-attributes="member: 28315"><p><a href="http://www.soundonsound.com/sound-advice/q-how-does-mastering-differ-vinyl-and-digital-releases" target="_blank">http://www.soundonsound.com/sound-advice/q-how-does-mastering-differ-vinyl-and-digital-releases</a></p><p><a href="http://www.soundonsound.com/sound-advice/q-how-does-mastering-differ-vinyl-and-digital-releases" target="_blank"></a></p><p></p><p>To έχω διαβάσει και αλλού ότι μερικές φορές τα όργανα με μπάσο, γραφόταν μονοφωνικά για τον λόγο να μην δημιουργούν πρόβλημα στις άλλες συχνότητες που διαβάζει η βελόνα δεξιά και αριστερά και ότι το μπάσο διαβάζεται κυρίως από την μύτη της βελόνας.</p><p></p><p>Another myth is the ‛bass width’. I’ve been told by alleged label experts that (and here I quote) “vinyl masters need to be mono in low frequencies, and the low end, like 80-200 [Hz], almost mono.” If this were true, it would make you wonder how classic orchestral recordings (which have the double basses well off-centre to the far right) ever managed to get cut to vinyl! The fact is that wildly out-of-phase and excessive bass can be problematic, and if it’s present in a mix, a certain amount of taming will be needed in the mastering stage. But even then, if the master is going to a reputable cutter it is best to leave that decision to them.</p></blockquote><p></p>
[QUOTE="cyclist, post: 1057783651, member: 28315"] [URL="http://www.soundonsound.com/sound-advice/q-how-does-mastering-differ-vinyl-and-digital-releases"]http://www.soundonsound.com/sound-advice/q-how-does-mastering-differ-vinyl-and-digital-releases [/URL] To έχω διαβάσει και αλλού ότι μερικές φορές τα όργανα με μπάσο, γραφόταν μονοφωνικά για τον λόγο να μην δημιουργούν πρόβλημα στις άλλες συχνότητες που διαβάζει η βελόνα δεξιά και αριστερά και ότι το μπάσο διαβάζεται κυρίως από την μύτη της βελόνας. Another myth is the ‛bass width’. I’ve been told by alleged label experts that (and here I quote) “vinyl masters need to be mono in low frequencies, and the low end, like 80-200 [Hz], almost mono.” If this were true, it would make you wonder how classic orchestral recordings (which have the double basses well off-centre to the far right) ever managed to get cut to vinyl! The fact is that wildly out-of-phase and excessive bass can be problematic, and if it’s present in a mix, a certain amount of taming will be needed in the mastering stage. But even then, if the master is going to a reputable cutter it is best to leave that decision to them. [/QUOTE]
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