Search
Search titles only
By:
Search titles only
By:
Home
Forums
New posts
Search forums
What's new
New posts
Latest activity
Members
Current visitors
Κανονισμός Λειτουργίας
Σωματείο AVClub
Log in
Register
Search
Search titles only
By:
Search titles only
By:
New posts
Search forums
Menu
Install the app
Install
Reply to thread
Home
Forums
Μουσική - Κινηματογράφος - Τηλεόραση - Πολιτισμός
Μουσική
Παρουσιάσεις δίσκων - Aφιερώματα
Επικίνδυνη αγάπη! [Love]
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Message
<blockquote data-quote="grio" data-source="post: 1057318353" data-attributes="member: 30418"><p>Και μια "περίεργη" κριτική από τον <em>Jim Bickhart</em> στο <a href="http://www.rollingstone.com/music/albumreviews/forever-changes-19680210" target="_blank">Rolling Stone</a> της 10ης Φεβρ., 1968. Βέβαια, το περιοδικό αργότερα ανασκεύασε σε επόμενες κριτικές και λίστες με τα καλύτερα όλων των εποχών...</p><p></p><p>«<em>The third coming of Love, heralded on Elektra’s Sunset Strip billboard last summer, is upon us. The group has dropped its sixth and seventh members, originally added to sophisticate their music, and they have, in the end, produced their most sophisticated album yet, Forever Changes.</em></p><p><em></em></p><p><em>The hard Beatle-Byrd sound of their first album, which turned arty in their second (Da Capo), has been smoothed out quite a bit. Large scale orchestration augments the basic combo on several cuts, replacing the self-contained “orchestration” of Da Capo.</em></p><p><em></em></p><p><em>Forever Changes features fairly tight, well-arranged tracks. Its weakest point is in the material. Some of the songs meander and lack real melodic substance. Leader Arthur Lee composed 9 of the 11 cuts. In his quest for originality, Lee sometimes had trouble giving the songs continuity. “The Red Telephone” is an example of this. It contains both excellent and mediocre portions.</em></p><p><em></em></p><p><em>The strongest cut on the album is the opener, “Alone Again Or.” Other good ones are “A House is not a Motel,” “The Good Humor Man,” “You Set the Scene” and “Andmoreagain.” These and the other tunes on the album run the range from hard rock to folk to soft orchestration.</em></p><p><em></em></p><p><em>Despite the album’s flaw of inconsistency, it is nice to listen to. The background orchestration is pleasant and the recording is technically good.</em></p><p><em></em></p><p><em>Love disappeared for a time before releasing this album, and it’s good to have them back. Forever Changes provides some good stuff for open ears.</em>»</p></blockquote><p></p>
[QUOTE="grio, post: 1057318353, member: 30418"] Και μια "περίεργη" κριτική από τον [I]Jim Bickhart[/I] στο [URL='http://www.rollingstone.com/music/albumreviews/forever-changes-19680210']Rolling Stone[/URL] της 10ης Φεβρ., 1968. Βέβαια, το περιοδικό αργότερα ανασκεύασε σε επόμενες κριτικές και λίστες με τα καλύτερα όλων των εποχών... «[I]The third coming of Love, heralded on Elektra’s Sunset Strip billboard last summer, is upon us. The group has dropped its sixth and seventh members, originally added to sophisticate their music, and they have, in the end, produced their most sophisticated album yet, Forever Changes. The hard Beatle-Byrd sound of their first album, which turned arty in their second (Da Capo), has been smoothed out quite a bit. Large scale orchestration augments the basic combo on several cuts, replacing the self-contained “orchestration” of Da Capo. Forever Changes features fairly tight, well-arranged tracks. Its weakest point is in the material. Some of the songs meander and lack real melodic substance. Leader Arthur Lee composed 9 of the 11 cuts. In his quest for originality, Lee sometimes had trouble giving the songs continuity. “The Red Telephone” is an example of this. It contains both excellent and mediocre portions. The strongest cut on the album is the opener, “Alone Again Or.” Other good ones are “A House is not a Motel,” “The Good Humor Man,” “You Set the Scene” and “Andmoreagain.” These and the other tunes on the album run the range from hard rock to folk to soft orchestration. Despite the album’s flaw of inconsistency, it is nice to listen to. The background orchestration is pleasant and the recording is technically good. Love disappeared for a time before releasing this album, and it’s good to have them back. Forever Changes provides some good stuff for open ears.[/I]» [/QUOTE]
Verification
Post reply
Home
Forums
Μουσική - Κινηματογράφος - Τηλεόραση - Πολιτισμός
Μουσική
Παρουσιάσεις δίσκων - Aφιερώματα
Επικίνδυνη αγάπη! [Love]
Top
Bottom
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more…