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<blockquote data-quote="westsound" data-source="post: 1058512796" data-attributes="member: 8054"><p>Ο founder της MF,Anthony Michaelson,καθότι ο ίδιος είναι clarinerist και έχοντας ηχογραφήσει αρκετές φορές με τον πασίγνωστο recording engineer Tony Faulkner,προσπάθησε να δώσε απάντηση στην ερώτηση:'How much power would be needed to reproduce a combination of Piano and clarinet.'</p><p>Στην προσπάθεια αυτή δεν ήθελε 'απομόνωση',αλλά και κάποιους 'μάρτυρες',γι αυτό κάλεσε το περιοδικό Hi-Fi & News.</p><p>This wasnt ,λέει,intended as a loundspeaker review,in contrast to some of the earlier examples given,not even a demostration of how close,or otherwise ,the loundspeakers are from reproducing sound accuracy.It was to find out how much power was needed to reproduce piano and clarinet levels that were realistic,<strong>as judged by ear</strong></p><p><strong></strong>.</p><p>Στο clarinet ήταν ο ίδιος ,ενώ στο πιάνο,(7th Steinway B),η Marjorie Dutton.</p><p>Το σύστημα περιελάμβανε τρία ζευγάρια ηχεία,τα Quad ESL 989,Tannoy Dimension TD 12 και τα Kef Referense 205.</p><p>Και με τα τρία οι χροιές ,το impact,clarity και dymanics διέφεραν,</p><p>Απ τα τρία αυτό που αναπαρήγαγε κοντινότερα στο live γεγονός ήταν το τρίτο.</p><p>Και με τα τρία όμως οδηγούμενα απ τα KW ενισχυτικά,δεν υπήρξε the acoustic fully conveyed της εγγραφής σε φουλ περιποιημένο χώρο,των Phoenix Studios in Wembley,North London.</p><p>Στο τέλος όμως οι εκπρόσωποι του περιοδικού αναρωτιούνται αν the essential spaciousness of the acoustic that was not fully conveyed with the lounspeakers,HOW CAN WE KNOW IF IT WAS CAPTURED BY THE RECORDING?</p><p>Και καταλήγει...' bearing in mind a full concert orchestra would make even more noise(though most likely heard and recorded at greater distances),providing 1kW to draw on is really not so outlandish after all,as this allows just 3 db headroom over the maximum range of peak levels calculated.It does point up the need for high loundspeaker sensitivity,lack of compression and plenty of amplifier power for music lovers who wish to listen at realistic levels.Anthony's assertion about power requirements would appear to be vindicated even for the modest collection of musical forces used for these live versus recorded comparisons.'</p><p>Ουσιαστικά προσεγγίζει την άποψη κάποιων σχολιαστών..</p><p>Αλλά έτσι μήπως υπαινίσσεται αδυναμία μικρών ηχείων βάσης?</p><p></p><p></p><p>Musical Fidelity’s founder Anthony Michaelson is an accomplished clarinetist with several successful recordings to his credit. Anthony started producing Musical Fidelity products over 35 years ago on his kitchen table.</p></blockquote><p></p>
[QUOTE="westsound, post: 1058512796, member: 8054"] Ο founder της MF,Anthony Michaelson,καθότι ο ίδιος είναι clarinerist και έχοντας ηχογραφήσει αρκετές φορές με τον πασίγνωστο recording engineer Tony Faulkner,προσπάθησε να δώσε απάντηση στην ερώτηση:'How much power would be needed to reproduce a combination of Piano and clarinet.' Στην προσπάθεια αυτή δεν ήθελε 'απομόνωση',αλλά και κάποιους 'μάρτυρες',γι αυτό κάλεσε το περιοδικό Hi-Fi & News. This wasnt ,λέει,intended as a loundspeaker review,in contrast to some of the earlier examples given,not even a demostration of how close,or otherwise ,the loundspeakers are from reproducing sound accuracy.It was to find out how much power was needed to reproduce piano and clarinet levels that were realistic,[B]as judged by ear [/B]. Στο clarinet ήταν ο ίδιος ,ενώ στο πιάνο,(7th Steinway B),η Marjorie Dutton. Το σύστημα περιελάμβανε τρία ζευγάρια ηχεία,τα Quad ESL 989,Tannoy Dimension TD 12 και τα Kef Referense 205. Και με τα τρία οι χροιές ,το impact,clarity και dymanics διέφεραν, Απ τα τρία αυτό που αναπαρήγαγε κοντινότερα στο live γεγονός ήταν το τρίτο. Και με τα τρία όμως οδηγούμενα απ τα KW ενισχυτικά,δεν υπήρξε the acoustic fully conveyed της εγγραφής σε φουλ περιποιημένο χώρο,των Phoenix Studios in Wembley,North London. Στο τέλος όμως οι εκπρόσωποι του περιοδικού αναρωτιούνται αν the essential spaciousness of the acoustic that was not fully conveyed with the lounspeakers,HOW CAN WE KNOW IF IT WAS CAPTURED BY THE RECORDING? Και καταλήγει...' bearing in mind a full concert orchestra would make even more noise(though most likely heard and recorded at greater distances),providing 1kW to draw on is really not so outlandish after all,as this allows just 3 db headroom over the maximum range of peak levels calculated.It does point up the need for high loundspeaker sensitivity,lack of compression and plenty of amplifier power for music lovers who wish to listen at realistic levels.Anthony's assertion about power requirements would appear to be vindicated even for the modest collection of musical forces used for these live versus recorded comparisons.' Ουσιαστικά προσεγγίζει την άποψη κάποιων σχολιαστών.. Αλλά έτσι μήπως υπαινίσσεται αδυναμία μικρών ηχείων βάσης? Musical Fidelity’s founder Anthony Michaelson is an accomplished clarinetist with several successful recordings to his credit. Anthony started producing Musical Fidelity products over 35 years ago on his kitchen table. [/QUOTE]
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