The final 5.1 surround mixes were recorded directly to a Sonoma DSD workstation through EMM Labs DSD converters. The SACD master was produced on a SADiE DSD workstation which retained the integrity of the single-bit DSD surround mixes. “What you hear on the final SACD is exactly what was mixed at the surround mix sessions,” says Bishop.
αρα το 5.1 είναι DSD απο την αρχή και η καλύτερη πιθανά ηχογράφιση.
“We were fortunate that a 96 kHz, 24-bit PCM stereo master from the source 96 kHZ PCM stereo mixes had been prepared by Doug Sax for use as a Ray Sings, Basie Swings vinyl LP cutting master,”
Εγώ θέλω να μου δώσουν αυτό σε flac.
Bishop explains. “This master was transferred to DSD to be used as the stereo DSD SACD master and fully retains the dynamics and resolution of the original 96 kHZ stereo mixes.
Ναι αλλα κατα την μετατροπή PCM->DSD χάνεις πληροφορία.
The hybrid CD program on the SACD was produced from the original Concord CD’s 44.1 kHZ, 16-bit PCM master and is identical to that original release.”