Για όσους αναρωτιούνται όταν βλέπουν μια σειρά πως είναι τραβηγμένη,
με τι μέσο έχει αποτυπωθεί η εικόνα που φτάνει στην τηλεόραση ή στον
προβολέα σας ιδού μια λίστα από το imdb την οποία παρακαλείσθε να
εμπλουτίζετε όταν σας τρώει η περιέργεια και ψάχνετε τα spec της.
ΥΓ. Παρακαλώ ΜΟΝΟ Τεχνικά Σχόλια στο νήμα αυτό, τα υπόλοιπα στο νήμα της κάθε σειράς.
"Grimm" (2011)
Camera
Arri Alexa, Zeiss Master Prime and Angenieux Optimo Lenses
Arriflex Cameras
Aspect ratio
16:9 HD
"Fringe" (2008)
Camera
Arri Alexa, Panavision Primo Lenses (season 4)
Panavision Panaflex Millennium XL, Panavision Primo Lenses (seasons 1-3)
Film negative format (mm/video inches)
35 mm (Kodak Vision2 200T 5217, Vision2 Expression 500T 5229, Vision2 500T 5260)
Digital
Cinematographic process
ARRIRAW (season 4)
Super 35 (3-perf) (seasons 1-3)
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"Supernatural" (2005)
Camera
Arri Alexa (seasons 6 - 7)
Arricam LT, Cooke S4 Lenses (seasons 1-3)
Arricam ST, Cooke S4 Lenses (seasons 1-3)
Arriflex D-21 (season 4)
Canon EOS 5D Mark II (seasons 6 - 7)
Panasonic AG-HVX200 (season 4)
Red One Camera (seasons 4 - 6)
Laboratory
Technicolor
Film negative format (mm/video inches)
35 mm (seasons 1-3)
Redcode RAW (season 4)
Cinematographic process
Redcode RAW (4K) (season 4)
Super 35 (3-perf) (seasons 1-3)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Alcatraz" (2012)
Camera
Arri Alexa
Film negative format (mm/video inches)
ProRes 4:4:4 HD
Cinematographic process
Digital Intermediate (master format)
ProRes 4:4:2 (1080/60 fps) (source format)
ProRes 4:4:4 (1080/24p) (source format)
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"Once Upon a Time" (2011)
Camera
Arri Alexa, Cooke and Angenieux Lenses
Film negative format (mm/video inches)
SxS Pro
Cinematographic process
Digital Intermediate (2K) (master format)
ProRes 4:4:4 (1080p/24) (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"American Horror Story" (2011)
ad feedback
Camera
Panavision Cameras and Lenses
Film negative format (mm/video inches)
35 mm (Kodak)
Cinematographic process
Digital Intermediate (master format)
Spherical (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
1.85 : 1
"Homeland" (2011)
Camera
Arri Alexa, Zeiss Ultra Prime and Angenieux Optimo Lenses
Film negative format (mm/video inches)
Digital
Cinematographic process
HDCAM
Printed film format
Digital
Aspect ratio
1.78 : 1 / (high definition)
16:9 HD
"Hell on Wheels" (2011)
Camera
Arri Alexa
Panavision Cameras and Lenses
Film negative format (mm/video inches)
ProRes 4:4:4 HD
Cinematographic process
Digital Intermediate (master format)
ProRes 4:4:4 (1080p/24) (source format)
Aspect ratio
16:9 HD
"Desperate Housewives" (2004)
Camera
Arri Alexa (season 8)
Arriflex Cameras
Film negative format (mm/video inches)
35 mm (Kodak Vision2 200T 5217, Vision2 500T 5218, Vision3 500T 5219, Eastman EXR 100T 5248, Vision2 HD 5299)
Cinematographic process
ProRes 444
Super 35
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Doctor Who" (2005) More at IMDbPro »
Film negative format (mm/video inches)
Video
Cinematographic process
HDTV (2009-)
Digital Betacam
Printed film format
Video
Aspect ratio
1.78 : 1
"Torchwood" (2006)
Camera
Panasonic AJ-HDX400
Panasonic Varicam AJ-HDC27V
Sony HDW-750
Cinematographic process
HDTV (1080p/25)
HDTV (720p/25)
Aspect ratio
16:9 HD
"Sherlock" (2010)
Camera
Arri Alexa (season 2)
Sony CineAlta F35 (season 1)
Film negative format (mm/video inches)
HDCAM
Cinematographic process
Digital Intermediate (master format)
HDCAM (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Battlestar Galactica"
Camera
Arriflex 435, Panavision Super Speed MKII Lenses
Sony CineAlta HDW-F900, Panavision Primo Digital Lenses
Laboratory
Modern VideoFilm, Burbank (CA), USA
Film negative format (mm/video inches)
35 mm (Kodak Vision2 500T 5218)
Video (HDTV)
Cinematographic process
D5 (master format)
HDCAM (1080p/24) (source format)
Spherical (source format) (high-speed shots)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Person of Interest" (2011)
Camera
ARRI ALEXA
Aspect ratio
1.78 : 1
"Spartacus: Vengeance" (2010) Spartacus: Blood and Sand" (original title)
Camera
Panavision Genesis HD Camera, Panavision Primo Lenses
Phantom HD Camera, Panavision Primo Lenses
Film negative format (mm/video inches)
Video (HDTV)
Cinematographic process
HDCAM SR (1080p/24)
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"The Walking Dead" (2010)
Camera
Arriflex 416
Panavision Cameras and Lenses
Film negative format (mm/video inches)
16 mm (Kodak Vision3 500T 7219)
35 mm (VFX shots)
Cinematographic process
Super 16
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"The Fades" (2010)
Sony CineAlta F35
Film negative format (mm/video inches)
HDCAM
Cinematographic process
Digital Intermediate (2K) (master format)
HDCAM SR (1080/24p) (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Game of Thrones" (2011)
Camera
Arri Alexa, Cooke S4 and Angenieux Optimo Lenses
Film negative format (mm/video inches)
Digital
Cinematographic process
Codex
HDCAM
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1 / (high definition)
"Touch" (2012)
Camera
Arri Alexa
Film negative format (mm/video inches)
ProRes 4:4:4 HD
Cinematographic process
Digital Intermediate (master format)
ProRes 444 (1080/24p) (source format)
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"24" (2001)
Camera
Bell & Howell Eyemo (crash camera)
JVC GY-HD110U (on-camera video monitor footage and rear projection plates) (season 5-)
Panavision Panaflex Millennium XL, Panavision Primo Lenses (season 6)
Sony DSR-PD150 (on-camera video monitor footage and rear projection plates) (seasons 1-4)
Panavision Cameras and Lenses
Laboratory
FotoKem Laboratory, Burbank (CA), USA (season 6)
Ascent Media, USA (season 4)
DeLuxe (seasons 1-3)
Film negative format (mm/video inches)
35 mm (Kodak Vision2 Expression 500T 5229)
Cinematographic process
D5 (1080p/24) (master format)
Super 35 (3-perf) (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"House M.D." (2004)
Camera
Arricam LT, Cooke S4 and Angenieux Optimo Lenses
Arricam ST, Cooke S4 and Angenieux Optimo Lenses
Canon 5D MKII
Film negative format (mm/video inches)
35 mm (Fuji Eterna 400T 8583)
Video
Cinematographic process
HDCAM SR (1080p/24) (master format)
Super 35 (3-perf) (source format)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
16:9 HD
"Strike Back" (2010)
Camera
Arricam LT, Cooke S4 Lenses
Arricam ST, Cooke S4 Lenses
Arriflex 235, Cooke S4 Lenses
Arriflex 435 ES, Cooke S4 Lenses
Film negative format (mm/video inches)
35 mm (Kodak Vision2 50D 5201, Vision3 250D 5207, Vision3 500T 5219)
Cinematographic process
Digital Intermediate (master format)
Super 35 (source format)
Printed film format
Video (HDTV)
Aspect ratio
16:9 HD
"True Blood" (2008)
Camera
Arricam LT, Cooke S4 and Angenieux Optimo Lenses
Arricam ST, Cooke S4 and Angenieux Optimo Lenses
Film negative format (mm/video inches)
35 mm (Kodak Vision2 200T 5217, Vision2 Expression 500T 5229)
Cinematographic process
Super 35 (3-perf)
Printed film format
Video (HDTV)
Aspect ratio
1.78 : 1
"Hawaii Five-0" (2010)
Camera
Arri Alexa, Panavision Primo Zoom Lenses (season 2-)
Sony F35 (season 1)
Film negative format (mm/video inches)
Digital
Cinematographic process
Digital Intermediate (master format)
Digital
Printed film format
Digital
Aspect ratio
1.78 : 1 / (high definition)
"Human Target" (2010)
Camera
Arri D-21
Cooke and Angenieux lenses
Aspect ratio
1.78 : 1
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