- 18 June 2006
- 484
Composers' Letters Home From Summer Camp
==================================================
>From Arnold Schoenberg:
Dear ma & pa. How are you? I am fine. Love Arnold. Arnold love, fine am I. you are how? pa & ma dear. dlonrA evoL .enif ma I ?uoy era woH .ap & am reaD... read am & ap ?woh era uoy .I ma enif ,evol dlonrA
Love, Arnie
==================================================
>From Philip Glass:
Hello heh heh hello, o-hell o-hell oh ellow ellow heh heh heh hello
mama mama muh muh muh-mah, ah ah ah ahhhh! Aye aye aye aye aye yam yam yam
yam Eye yam yam Fie aye aye aye fuh fuh fuh fie un yun yun yun Hah hah aha hah
ow ow ow wow ow wow ow ow ah hah aha haha are are are are yuh huh huh huh yuh you? oooh. oooooh.
Sincerely, Phil
==================================================
>From Milton Babbitt:
Dear bi-polar source set, All members of the aggregate feelings matrix are demonstrating maximum congruity with respect to the positive experiential axis.
With affections invariant under transposition, Milton.
==================================================
>From Anton Webern:
Hello. Hel. H.
Olleh. Lo. Fi.
I am I
Fine.
==================================================
>From Steve Reich:
Dear mum and dad,
how are you? I'm fine.
ow are you? I'm fine. h
w are you? I'm fine. ho
are you? I'm fine. how
re you? I'm fine. how a
e you? I'm fine. how ar
you? I'm fine. how are
ou? I'm fine. how are y
u? I'm fine. how are yo
I'm fine. how are you?
'm fine. how are you? I
fine. how are you? I'm
ine. how are you? I'm f
ne. how are you? I'm fi
e. how are you? I'm fin
how are you? I'm fine.
Love, Steve
==================================================
>From Pierre Boulez:
X=cm2
1x2x3
A+C
Schoenberg is dead.
Q to N
==================================================
>From John Cage:
John
==================================================
>From Anton Bruckner:
Liebste Mutti und Vati
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!!
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!!
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!! Fine! Fine! Fine!
FINE! FINE! FINE! FINE! FINE! FINE! FINE! FINE!
FINE! FINE! FINE! FINE! FINE! FINE! FINE! FINE!
(Double counterpont)
How I are am you fine.
I how am are fine you.
love,
Anton
==================================================
>From Morton Feldman:
e
e
F
n e
o
A
D n
w
o
r
Y
i k
H
u
a
o r t o L M v e o n
==================================================
>From Brian Ferneyhough
Dea/cari/r papa-y-mom
question (need) explanation - intrinsic of any interference space-continua of morphological semiotic/semantic classification
patterns: How (epsilon eridani) are you/vous/vobis?
{Euch} give Atashi hierarchical affection, devoid of time-space analogy and its inconsistencies and ambiguities, but by necessity within hopelessly mutually incommensurable sets of value-defining of person binding systems.
yours appendiced
Brian
==================================================
>From Arnold Schoenberg:
Dear ma & pa. How are you? I am fine. Love Arnold. Arnold love, fine am I. you are how? pa & ma dear. dlonrA evoL .enif ma I ?uoy era woH .ap & am reaD... read am & ap ?woh era uoy .I ma enif ,evol dlonrA
Love, Arnie
==================================================
>From Philip Glass:
Hello heh heh hello, o-hell o-hell oh ellow ellow heh heh heh hello
mama mama muh muh muh-mah, ah ah ah ahhhh! Aye aye aye aye aye yam yam yam
yam Eye yam yam Fie aye aye aye fuh fuh fuh fie un yun yun yun Hah hah aha hah
ow ow ow wow ow wow ow ow ah hah aha haha are are are are yuh huh huh huh yuh you? oooh. oooooh.
Sincerely, Phil
==================================================
>From Milton Babbitt:
Dear bi-polar source set, All members of the aggregate feelings matrix are demonstrating maximum congruity with respect to the positive experiential axis.
With affections invariant under transposition, Milton.
==================================================
>From Anton Webern:
Hello. Hel. H.
Olleh. Lo. Fi.
I am I
Fine.
==================================================
>From Steve Reich:
Dear mum and dad,
how are you? I'm fine.
ow are you? I'm fine. h
w are you? I'm fine. ho
are you? I'm fine. how
re you? I'm fine. how a
e you? I'm fine. how ar
you? I'm fine. how are
ou? I'm fine. how are y
u? I'm fine. how are yo
I'm fine. how are you?
'm fine. how are you? I
fine. how are you? I'm
ine. how are you? I'm f
ne. how are you? I'm fi
e. how are you? I'm fin
how are you? I'm fine.
Love, Steve
==================================================
>From Pierre Boulez:
X=cm2
1x2x3
A+C
Schoenberg is dead.
Q to N
==================================================
>From John Cage:
John
==================================================
>From Anton Bruckner:
Liebste Mutti und Vati
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!!
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!!
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww arrrrrre yoooooouuuu?
Howwwww - arrrrrre - yoooooouuuu?
How are you? How are you? How are you? How are you? How are you?
How are you? How are you? How are you? How are you? How are you?
Howwwww - arrrrrre - yoooooouuuu?
HOW ARE YOU?
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I-i-i-i ammmmmm fiiiiiine.
I am fine.
I AM FINE!!!!! Fine! Fine! Fine!
FINE! FINE! FINE! FINE! FINE! FINE! FINE! FINE!
FINE! FINE! FINE! FINE! FINE! FINE! FINE! FINE!
(Double counterpont)
How I are am you fine.
I how am are fine you.
love,
Anton
==================================================
>From Morton Feldman:
e
e
F
n e
o
A
D n
w
o
r
Y
i k
H
u
a
o r t o L M v e o n
==================================================
>From Brian Ferneyhough
Dea/cari/r papa-y-mom
question (need) explanation - intrinsic of any interference space-continua of morphological semiotic/semantic classification
patterns: How (epsilon eridani) are you/vous/vobis?
{Euch} give Atashi hierarchical affection, devoid of time-space analogy and its inconsistencies and ambiguities, but by necessity within hopelessly mutually incommensurable sets of value-defining of person binding systems.
yours appendiced
Brian
