- 3 October 2007
- 511
Κονσόλα μίξης ήχου 12 εισόδων (2 stereo + 6 mono εκ των οποίων τα δύο μπορούν να χρησιμοποιηθούν ώς stereo), με insert και compressor για τα κανάλια 1-4, 1 AUX, EQ 3 περιοχών ανά κανάλι HPF, 2 Group και ενσωματωμένο ψηφιακό effect 16 προγραμμάτων. Διαθέτει phantom power +48V. Διαστάσεις 34.6 x 8.6 x 43.6cm. Βάρος : 3.2 kg.
τιμη 150 euro
Uploaded with ImageShack.us
τιμη 150 euro
Uploaded with ImageShack.us
Χαρακτηριστικά:
Απόκριση Συχνότητας
ST OUT
GAIN: min (CH 1-7/8)
20Hz-20kHz
Nominal output level@1kHz
Input: CH1-11/12, RETURN, 2TR IN
-3.0
0.0
1.0
dB
GROUP OUT
AUX SEND (EFFECT SEND)
MONITOR OUT, REC OUT
Συνολική Αρμονική Παραμόρφωση (THD+N)
ST OUT
+14dBu, 20Hz-20kHz, Input GAIN Control at minimum
0.1
%
Βόμβος
Hum and Noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.
input: CH INPUT 1-2 MIC
EIN (Equivalent Input Noise): Rs=150Ω, GAIN: maxmimum
-128
dBu
ST OUT
ST OUT, GROUP1-2 master fader at nominal level and all channel's ST and 1-2 switches off.
-88
dBu
GROUP OUT
EFFECT/AUX
(AUX1,2) SEND
Master EFFECT/AUX (AUX1, 2) control at nominal level
and all CH EFFECT/AUX (AUX1, 2) controls at minimum.
-81
dBu
ST OUT
STEREO OUT, GROUP Master fader and one CH
fader at nominal level.
-64
dBu
GROUP OUT
ST OUT
Residual Output Noise
-98
dBu
Crosstalk (1kHz)
Adjacent Input
CH 1-4
-70
dB
Input to Output
STEREO L/R, CHs 1-4, PAN: panned hard left or right
-70
dB
Maximum Voltage Gain (1kHz)
All VR are MAX when measured. PAN/BAL: panned hard left or hard right
Rs=150Ω,
INPUT GAIN: max
MIC to CH INSERT OUT
60
dB
MIC to ST OUT
84
dB
MIC to GROUP OUT
84
dB
MIC to GROUP to ST
94
dB
MIC to REC OUT
62.2
dB
MIC to MONITOR OUT, ST TO MONITOR
94
dB
MIC to PHONES OUT
83
dB
MIC to AUX (AUX1) SEND PRE
76
dB
MIC to AUX (AUX1) SEND POST, EFFECT (AUX2) SEND
86
dB
CH 5/6, 7/8 LINE to STEREO OUT
58
dB
CH 5/6, 7/8 LINE to GROUP OUT
58
dB
CH 5/6, 7/8 LINE to AUX (AUX1) SEND PRE
47
dB
CH 5/6, 7/8 LINE to AUX (AUX1) SEND POST, EFFECT(AUX2) SEND
57
dB
CH 9/10, 11/12 to STEREO OUT
34
dB
CH 9/10, 11/12 to GROUP OUT
34
dB
Rs=150Ω
RETURN to ST OUT
16
dB
RETURN to EFFECT (AUX2) SEND
9
dB
Rs=600Ω
2TR IN to ST OUT
27.8
dB
Phantom Voltage
MIC
48
V
Είσοδος HPF
CH 1-7/8, 80Hz, 12 dB/oct
Είσοδος Equalizer
Turn over/ roll-off frequency of shelving: 3dB blow maximum variable level, +15, -15 dB maximum
CH 1-7/8
HIGH: 10kHz: shelving
MID: 2.5kHz: peaking
LOW: 100Hz: shelving
CH 9/10-11/12
HIGH: 10kHz: shelving
LOW: 100Hz: shelving
Internal Digital Effect
16 prgrams, PARAMETER cotrol , Foot Switch (effect on/off)
LED Level Meter
Pre MONITOR level
2x12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB)
PEAK lights if the signal level reaches 3 dB below the clipping level.
Τροφοδοσία Adaptor
PA-20
AC 35 VCT, 0.94 A, Cable Length = 3.6 m
Κατανάλωση
30 W
Διαστάσεις
(Π x Υ x Β)
346.2 mm x 86.1 mm x 436.6 mm
Βάρος
3.2 kg (MG124CX), 3 kg (MG124C)
Παρελκόμενα
Foot Switch (FC5)
Χαρακτηριστικά Εισόδου
CH IN MIC (1-4)
-60dB
3kΩ
50-600Ω Mics
-80dBu (0.078mV)
-60dBu (0.775mV)
-40dBu (7.75mV)
XLR-3-31 type
-16dB
-36dBu (12.3mV)
-16dBu (123mV)
+4dBu (1.23V)
CH IN LINE (1-4)
-34dB
10kΩ
600Ω Lines
-54dBu (1.55mV)
-34dBu (15.5mV)
-14dBu (155mV)
Phone Jack (TRS)
+10dB
-10dBu (245mV)
+10dBu (2.45V)
+30dBu (24.5V)
ST CH MIC IN
(5/6,7/8)
-60dB
3kΩ
50-600Ω Mics
-80dBu (0.078mV)
-60dBu (0.775mV)
-40dBu (7.75mV)
XLR-3-31 type
-16dB
-36dBu (12.3mV)
-16dBu (123mV)
-6dBu (389mV)
ST CH LINE IN
(5/6,7/8)
-34dB
10kΩ
600Ω Lines
-54dBu (1.55mV)
-34dBu (15.5mV)
-14dBu (155mV)
Phone Jack
+10dB
-10dBu (245mV)
+10dBu (2.45V)
+30dBu (24.5V)
ST CH IN
(9/10,11/12)
-
10kΩ
600Ω Lines
-30dBu (24.5mV)
-10dBu (245mV)
+10dBu (2.45V)
Phone Jack
RCA PiN Jack
CH INSERT IN (1-4)
-
10kΩ
600Ω Lines
-20dBu (77.5mV)
0dBu (0.775V)
+20dBu (7.75V)
Phone Jack (TRS)
RETURN [L,R]
-
10kΩ
600Ω Lines
-12dBu (195mV)
+4dBu (1.23 V)
+24dBu (12.3V)
Phone Jack
2TR IN [L,R]
-
10kΩ
600Ω Lines
-26dBV (50.1mV)
-10dBV (0.316V)
+10dBV (3.16V)
RCA Pin Jack
Χαρακτηριστικά Εξόδου
STEREO OUT [L,R]
75Ω
600Ω Lines
+4dBu (1.23 V)
+24dBu (7.75V)
XLR 3-32 type 2
Phone Jack
GROUP OUT [1,2]
150Ω
11KΩ Lines
+4dBu (1.24 V)
+20dBu (7.76V)
Phone Jack
AUX SEND(1,2 6)
(EFFECT SEND 7)
150Ω
10KΩ Lines
+4dBu (1.23 V)
+20dBu (7.75V)
Phone Jack
CH INSERT OUT (1-4)
75Ω
10KΩ Lines
0dBu (0.775V)
+20dBu (7.75V)
Phone Jack
REC OUT [L, R]
600Ω
10KΩ Lines
-10dBV (0.316V)
+10dBV (3.16V)
RCA Pin Jack
MONITOR OUT [L, R]
150Ω
10KΩ Lines
+4dBu (1.23 V)
+20dBu (7.75V)
Phone Jack
PHONES OUT
100Ω
40KΩ Lines
3mW
75mW
Stereo Phone Jack
Απόκριση Συχνότητας
ST OUT
GAIN: min (CH 1-7/8)
20Hz-20kHz
Nominal output level@1kHz
Input: CH1-11/12, RETURN, 2TR IN
-3.0
0.0
1.0
dB
GROUP OUT
AUX SEND (EFFECT SEND)
MONITOR OUT, REC OUT
Συνολική Αρμονική Παραμόρφωση (THD+N)
ST OUT
+14dBu, 20Hz-20kHz, Input GAIN Control at minimum
0.1
%
Βόμβος
Hum and Noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.
input: CH INPUT 1-2 MIC
EIN (Equivalent Input Noise): Rs=150Ω, GAIN: maxmimum
-128
dBu
ST OUT
ST OUT, GROUP1-2 master fader at nominal level and all channel's ST and 1-2 switches off.
-88
dBu
GROUP OUT
EFFECT/AUX
(AUX1,2) SEND
Master EFFECT/AUX (AUX1, 2) control at nominal level
and all CH EFFECT/AUX (AUX1, 2) controls at minimum.
-81
dBu
ST OUT
STEREO OUT, GROUP Master fader and one CH
fader at nominal level.
-64
dBu
GROUP OUT
ST OUT
Residual Output Noise
-98
dBu
Crosstalk (1kHz)
Adjacent Input
CH 1-4
-70
dB
Input to Output
STEREO L/R, CHs 1-4, PAN: panned hard left or right
-70
dB
Maximum Voltage Gain (1kHz)
All VR are MAX when measured. PAN/BAL: panned hard left or hard right
Rs=150Ω,
INPUT GAIN: max
MIC to CH INSERT OUT
60
dB
MIC to ST OUT
84
dB
MIC to GROUP OUT
84
dB
MIC to GROUP to ST
94
dB
MIC to REC OUT
62.2
dB
MIC to MONITOR OUT, ST TO MONITOR
94
dB
MIC to PHONES OUT
83
dB
MIC to AUX (AUX1) SEND PRE
76
dB
MIC to AUX (AUX1) SEND POST, EFFECT (AUX2) SEND
86
dB
CH 5/6, 7/8 LINE to STEREO OUT
58
dB
CH 5/6, 7/8 LINE to GROUP OUT
58
dB
CH 5/6, 7/8 LINE to AUX (AUX1) SEND PRE
47
dB
CH 5/6, 7/8 LINE to AUX (AUX1) SEND POST, EFFECT(AUX2) SEND
57
dB
CH 9/10, 11/12 to STEREO OUT
34
dB
CH 9/10, 11/12 to GROUP OUT
34
dB
Rs=150Ω
RETURN to ST OUT
16
dB
RETURN to EFFECT (AUX2) SEND
9
dB
Rs=600Ω
2TR IN to ST OUT
27.8
dB
Phantom Voltage
MIC
48
V
Είσοδος HPF
CH 1-7/8, 80Hz, 12 dB/oct
Είσοδος Equalizer
Turn over/ roll-off frequency of shelving: 3dB blow maximum variable level, +15, -15 dB maximum
CH 1-7/8
HIGH: 10kHz: shelving
MID: 2.5kHz: peaking
LOW: 100Hz: shelving
CH 9/10-11/12
HIGH: 10kHz: shelving
LOW: 100Hz: shelving
Internal Digital Effect
16 prgrams, PARAMETER cotrol , Foot Switch (effect on/off)
LED Level Meter
Pre MONITOR level
2x12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB)
PEAK lights if the signal level reaches 3 dB below the clipping level.
Τροφοδοσία Adaptor
PA-20
AC 35 VCT, 0.94 A, Cable Length = 3.6 m
Κατανάλωση
30 W
Διαστάσεις
(Π x Υ x Β)
346.2 mm x 86.1 mm x 436.6 mm
Βάρος
3.2 kg (MG124CX), 3 kg (MG124C)
Παρελκόμενα
Foot Switch (FC5)
Χαρακτηριστικά Εισόδου
Θύρες Εισόδου
GAIN
Πραγματικό Φορτίο Αντίστασης
Για Χρήση με Nominal
Στάθμη Εισόδου
Βύσμα
Ευαισθησία
Nominal
Max. before clip
-60dB
3kΩ
50-600Ω Mics
-80dBu (0.078mV)
-60dBu (0.775mV)
-40dBu (7.75mV)
XLR-3-31 type
-16dB
-36dBu (12.3mV)
-16dBu (123mV)
+4dBu (1.23V)
CH IN LINE (1-4)
-34dB
10kΩ
600Ω Lines
-54dBu (1.55mV)
-34dBu (15.5mV)
-14dBu (155mV)
Phone Jack (TRS)
+10dB
-10dBu (245mV)
+10dBu (2.45V)
+30dBu (24.5V)
ST CH MIC IN
(5/6,7/8)
-60dB
3kΩ
50-600Ω Mics
-80dBu (0.078mV)
-60dBu (0.775mV)
-40dBu (7.75mV)
XLR-3-31 type
-16dB
-36dBu (12.3mV)
-16dBu (123mV)
-6dBu (389mV)
ST CH LINE IN
(5/6,7/8)
-34dB
10kΩ
600Ω Lines
-54dBu (1.55mV)
-34dBu (15.5mV)
-14dBu (155mV)
Phone Jack
+10dB
-10dBu (245mV)
+10dBu (2.45V)
+30dBu (24.5V)
ST CH IN
(9/10,11/12)
-
10kΩ
600Ω Lines
-30dBu (24.5mV)
-10dBu (245mV)
+10dBu (2.45V)
Phone Jack
RCA PiN Jack
CH INSERT IN (1-4)
-
10kΩ
600Ω Lines
-20dBu (77.5mV)
0dBu (0.775V)
+20dBu (7.75V)
Phone Jack (TRS)
RETURN [L,R]
-
10kΩ
600Ω Lines
-12dBu (195mV)
+4dBu (1.23 V)
+24dBu (12.3V)
Phone Jack
2TR IN [L,R]
-
10kΩ
600Ω Lines
-26dBV (50.1mV)
-10dBV (0.316V)
+10dBV (3.16V)
RCA Pin Jack
Χαρακτηριστικά Εξόδου
Θύρες Εξόδου
Πραγματικό Φορτίο Αντίστασης
Για Χρήση Με Nominal
Στάθμη Εξόδου
Βύσμα
Nominal
Max.Before Clip
75Ω
600Ω Lines
+4dBu (1.23 V)
+24dBu (7.75V)
XLR 3-32 type 2
Phone Jack
GROUP OUT [1,2]
150Ω
11KΩ Lines
+4dBu (1.24 V)
+20dBu (7.76V)
Phone Jack
AUX SEND(1,2 6)
(EFFECT SEND 7)
150Ω
10KΩ Lines
+4dBu (1.23 V)
+20dBu (7.75V)
Phone Jack
CH INSERT OUT (1-4)
75Ω
10KΩ Lines
0dBu (0.775V)
+20dBu (7.75V)
Phone Jack
REC OUT [L, R]
600Ω
10KΩ Lines
-10dBV (0.316V)
+10dBV (3.16V)
RCA Pin Jack
MONITOR OUT [L, R]
150Ω
10KΩ Lines
+4dBu (1.23 V)
+20dBu (7.75V)
Phone Jack
PHONES OUT
100Ω
40KΩ Lines
3mW
75mW
Stereo Phone Jack
Flexible 12-input Configuration
The MG124C and MG124CX both have a total of 12 input channels -- 4 mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to 6 simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.
Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality Neutrik® balanced XLR connectors on all 4 mono microphone/line channels and 2 of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The 4 mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.
Six High-performance Microphone Preamplifiers with Switchable Phantom Power
The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All 6 microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.
Built-In Channel Compressors
Built-in channel dynamics are usually only found on high-end (and very expensive) consoles. The MG124C and MG124CX feature Yamaha's innovative 1-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.
3-Band Channel EQ and High-pass Filter
Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.
4 Buses (Stereo and Group)
In addition to the main stereo bus the MG124C and MG124CX feature a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.
Illuminated Channel ON Switches
All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has it's own ON switch.
Master & Output Section
The MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system. The MG124C has dual AUX send controls for each channel, one switchable for pre- or post-fader operation, and 1 fixed for prefader send. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses.
Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.
Bright 12-segment Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.
Smooth 60-millimeter Faders
Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings.
Lightweight, Portable Design
In spite of the fact that they offer 12 channels, four buses, and a wealth of advanced features, the MG124C and MG124CX are small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. Both of these remarkable mixers provide significant space savings along with huge performance benefits.
Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.
The MG124C and MG124CX both have a total of 12 input channels -- 4 mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to 6 simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.
Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high-quality Neutrik® balanced XLR connectors on all 4 mono microphone/line channels and 2 of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The 4 mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.
Six High-performance Microphone Preamplifiers with Switchable Phantom Power
The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All 6 microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.
Built-In Channel Compressors
Built-in channel dynamics are usually only found on high-end (and very expensive) consoles. The MG124C and MG124CX feature Yamaha's innovative 1-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.
3-Band Channel EQ and High-pass Filter
Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.
4 Buses (Stereo and Group)
In addition to the main stereo bus the MG124C and MG124CX feature a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.
Illuminated Channel ON Switches
All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has it's own ON switch.
Master & Output Section
The MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system. The MG124C has dual AUX send controls for each channel, one switchable for pre- or post-fader operation, and 1 fixed for prefader send. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses.
Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.
Bright 12-segment Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.
Smooth 60-millimeter Faders
Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings.
Lightweight, Portable Design
In spite of the fact that they offer 12 channels, four buses, and a wealth of advanced features, the MG124C and MG124CX are small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. Both of these remarkable mixers provide significant space savings along with huge performance benefits.
Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.