Αυτο εγω το λεω η εκδικηση του ροκ & ρολ !!!!! Μπορει ο καθε πιτσιρικας να βγαζει οτι γουσταρει και οποτε γουσταρει ... και εχει και το διαδικτυο για να μπορει να κανει και διανομη για παρτυ του !
Οι πιτσιρικαδες εχουν πολυ μυαλο και μερακι και αποψη !!!!
Ηi fi εσεις (εταιρειες) ???? Χαρισμα σας, εμεις low fi ... !!!!!!!!!! μαγκες ... :worshippy:
και μια αποψη καποιου που ξερει καλα τα πραγματα
Ο Steve Albini απο τους Big Black, μηχανικος ήχου σε στουντιο, παραγωγος, ξανα μουσικος με τους Shellac παραμενει συνεπης μεχρι σημερα στις ιδεες και την αισθητικη του, εκπροσωπει το "punk ηθος".
Προσιτος στους μικρους, τους αγνωστους, απροσιτος στους καθιερωμενους. Εχουν γραφτει ιστοριες για το ποσο παρακαλεσε ο Cobain μεχρι να τον πεισει τελικα να αναλαβει την παραγωγη του In Utero (μετα το Nevermind). Φυσικα χωρις ορους.
Ο Albini ειναι ενας χαρακτηρας που μιλα οπως νιωθει αλλα εχει και τεραστια πειρα απο τη ροκ σκηνη για τρεις σχεδον δεκαετιες
(
http://en.wikipedia.org/wiki/Steve_Albini)
Για το θεμα μας λοιπον λεει
You wrote an article in the early 1990s called "The Problem With Music" that explored parasitism of the music industry and the economic issues with the top-down model—Does that model even exist anymore, in this new era of digital downloads, iTunes, Pitchfork, and viral trends where bands have to shamelessly promote themselves online to get ahead?
This is a terrific time to be in a band. Every band has access to the entire world by default. I know quite a few bands that have been able to establish themselves internationally based on nothing other their web presence. It's an incredible tool. It's also revived the careers of a lot of bands that came before the Internet era and never had enough penetration to find their natural audience. But because the music survived, some people were interested in disseminating it for no other reason than because they like it. People put stuff on YouTube or torrent clients or whatever, not because they're going to make money off of it, which is the only reason the mainstream industry would do something, but because they think it's good. It's a like a worldwide mix tape. An awful lot of bands that had no audience in their first incarnation were able to revive their careers and have a second lap. It's so exceedingly rare that somebody gets more than one bite at an apple like that. I think it's fantastic.
και αμεσως παρακατω
Is there a young artist with integrity who inspires you today?
I have an unusual perspective in that I make records every day for a living. I see a lot of bands on a weekly basis. I see little bits and pieces of behavior that are encouraging. There was a band that came into the studio a while back called Grandfather. They were an art rock band that organized the funding of their record through Kickstarter. They were really well rehearsed and came into the studio and knocked the record out in a couple of days. Because they didn't have a record label or any promotion schedule to adhere to, they were able to get their record manufactured and distributed within a couple of months. That's the kind of nimble, efficient behavior that was previously impossible when there was a corporate structure involved. It gives me confidence other bands will figure it out. The last time Shellac put out a record, we finished it in June 2006. It wasn't actually in the stores until June of the following year. It took an entire calendar year for that record to inch its way through the production, manufacturing and distribution steps and get into the store. I'm impressed when I see bands taking advantage of these efficiencies that we're allowed now. That's something that gives me great confidence about the way bands are going to function in the future.
μετα μιλα για το internet, και το ραδιοφωνο σαν μεσα
Για οποιον ενδιαφερεται εδω ολοκληρη η συνεντευξη
http://www.gq.com/blogs/the-q/2010/09/steve-albini.html
fftopic:
