Davinci Resolve Updates

Release of DaVinci Resolve Studio 19 Public Beta 2
Έβαλαν μερικά μικρά αλλα σημαντικά όπως η επιλογή track / clip effects σε Edit & Fairlight pages και έστρωσαν bugs
We are pleased to announce the release of DaVinci Resolve Studio 19 Public Beta 2. This release is available at no charge for existing customers from our support web site.

https://www.blackmagicdesign.com/suppor ... and-fusion

What's new in DaVinci Resolve 19.0 Public Beta 2

• Ability to wipe and apply grade to clip or active node stack layer.
• Icon to switch inspector between clip and track view in edit and Fairlight.
• Support for safe area overlay options in the edit timeline viewer.
• If selected, safe area overlays are displayed in the cut and edit viewers during playback.
• Ripple overwrite in the cut page can now be invoked from the application menu.
• Deselecting trackers in Fusion now hides tracking paths in viewer.
• Media management can now trim mp3 and flac audio in mov and mp4 clips.
• User prompt when upgrading older projects.
• Scripting API support for querying media audio track mapping.
• Scripting API support to query and set speaker detection from project settings.
• Support for HDR scans using the new Cintel scanner 8mm gate.
• Support for black and white scans from the Cintel scanner.
• Addressed angle metadata not set when auto syncing audio to video.
• Addressed timecode entry issue when in multicam mode on the source viewer.
• Addressed an issue with moving Open FX keyframes with smoothing.
• Addressed a potential issue with rendering in place retimed clips on Apple silicon.
• Addressed an issue with copying transitions in the edit timeline.
• Addressed transition resizing from the trim editor not updating the viewer.
• Addressed a timing issue with draw on lower thirds text.
• Addressed an issue with alpha passthrough in referenced compositions.
• Addressed a Fusion tracking issue with disabled IntelliTrack.
• Addressed issue with Fusion tracker zoom if not previewed.
• Addressed an issue with middle clicking Fusion clips to apply compositions.
• Addressed an issue where Magic Mask in Fusion would apply to one frame.
• Addressed Fusion mask artifacts when using Resolve Color Management.
• Addressed issue with inverted masks in some Fusion merges.
• Addressed an issue displaying nested inspector controls in Fusion macros.
• Addressed issue with double polygons in multipoly.
• Addressed a potential crash with Fusion particle emitters when using bitmaps.
• Addressed a refresh issue when previewing DCTLs in the color page.
• Addressed incorrect labels for yellow hue and center controls in the Mini Panel.
• Addressed artifacts when using Speed Warp on Mac and Nvidia systems.
• Addressed a crash creating a project from preset with multiple node stack layers.
• Addressed an issue with side-chained tracks in upgraded projects.
• Addressed scenarios with offset audio when using Dialogue Separator.
• Addressed a scenario where pans would be invoked for the wrong audio track.
• Addressed audio clipping for audio normalized renders using optimize.
• Addressed an issue decoding motion JPEG formatted AVI clips.
• Addressed an issue with accented names in remote monitoring connections.
• General performance and stability improvements.

For full details of the DaVinci Resolve Studio 19 release and minimum system requirements etc, please see the original public beta thread.
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DaVinci Resolve 19 Beta 3​

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Support Center | Blackmagic Design

Blackmagic Design customer support provides the latest software updates, support notes, instruction manuals and contacts for any product related questions.
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What's new in DaVinci Resolve 19.0​

Items marked with * are in progress.

Cut​

  • New multi source option to view time-synced footage.
  • Support for displaying clip markers and keyframes.
  • Support for a large enhanced viewer in the cut page.
  • Live overwrite now starts with a single frame duration by default.
  • Interactive Resolve FX and Fusion effect overlays in the viewer.
  • Improved grouping of Fusion effects.

Replay Workflows​

  • Support for the cut page as a media player and playout system.
  • Support for the DaVinci Resolve Replay Editor.
  • View ATEM multiview feeds live inside DaVinci Resolve.
  • Add points of interest and create replays from multiview and timeline.
  • Cue and run replays with live slow motion.
  • Pick from slow motion, ramp down and other retime presets.
  • Apply auto stingers to start and end of playback.
  • Automatically add replays to build highlights timelines.

DaVinci Neural Engine​

  • IntelliTrack AI point tracker for tracking and stabilization.
  • AI powered UltraNR noise reduction for spatial denoising.
  • New voice isolation mode with faster response and buffering.
  • IntelliTrack powered audio panning to video in Fairlight.
  • New faster option for Speed Warp.
  • Music Remixer FX to remix voice, drums, bass, guitar and other sources.
  • Dialogue Separator FX to separate dialogue, background or ambience.
  • Option to detect speakers for text based editing workflows.

Edit​

  • Ability to edit timeline content based on source clip transcription.
  • Option to display timecode column in the transcription window.
  • Option to search and replace partial words in the transcription window.
  • Select a sentence using mark clip in the transcription window.
  • Place on top button in the transcription window.
  • Ability to import and export transcriptions using SRT files.
  • Ability to detect speakers during transcription.
  • Preview, skim and scrub source audio channels in the inspector file tab.
  • Set common source audio configurations in the inspector.
  • Support for the precision trim editor in the timeline viewer.
  • Ability to select audio channels when aligning clips using waveform.
  • Support for fixed playhead mode in the timeline.
  • Support for bezier controls for Open FX keyframes.
  • Missing Text+ fonts are indicated as a viewer overlay.
  • Ability to edit Text+ titles in the viewer.
  • Ability to use the keyboard numeric keypad for direct timecode entry.
  • Effect library favorites are now categorized.
  • Option to search across all effect library folders.
  • Collapse effect library categories with alt or option double click.
  • Improved snapping and cursor sensitivity on the timeline.
  • Up to 50% faster iris, shape, wipe and simple dissolves on Apple Silicon.

Media​

  • Support for updating clip usage for all timelines.
  • Ability to select channels when syncing audio using waveform.
  • Ability to reveal media pool bin from multi bin or search displays.
  • Media management now retains alpha for supported formats.
  • Marker clips are now editable in the media pool list view.
  • Generated proxies now retain reel number metadata.
  • Up to 3.5x faster Super Scale on supported AMD systems.

Color​

  • New ColorSlice six vector grading palette.
  • Node Stack allows management of complex grading workflows.
  • Support for ACES AMF 2.0.
  • Option to normalize channels in the RGB mixer.
  • SDI output now shows advanced 3D keyer strokes and marker annotations.
  • Support for double clicking to open a compound node.
  • Preview matte node layers by alt or option hovering over layer entry.
  • Node context menu actions can now be assigned shortcut keys.
  • Support for cleaning up node graph for multiple selected clips.
  • Support for creating smart filters for HDR graded clips.
  • Improved stereoscopic 3D control layouts on advanced and mini panels.
  • Improved viewer zoom increments when using shortcut keys.
  • Option to link Dolby Vision target display selection for trims and preview.
  • Improved HDR Vivid support.
  • Support for FujiFilm Log and Log2 for color managed workflows.

Fusion​

  • Fusion viewers are now color managed.
  • Multi Poly tool for easier rotoscoping of complex objects.
  • Support for Open Color IO 2.3.
  • Support for referenced Fusion compositions in the media pool.
  • USD enhancements for Material X and advanced volumetric shading.
  • Stereoscopic 3D clip support in Fusion compositions.
  • Multiple shape toolset enhancements.
  • Improved Text+ inspector and on-screen controls.
  • Support for deleting and resetting layers in MultiMerge.
  • Option for sBooleans to retain the upstream style.
  • Option to specify duplication path in duplicate tools.
  • Set control to default now clears animations, modifiers and expressions.
  • Ability to match planar tracker sizes to dissimilar logo and image overlays.
  • Faster rendering of streaming 3D textures in compositions.
  • Up to 3x faster Magic Mask performance in Fusion.
  • New left flow and mid flow UI presets with vertical viewer layouts.

Resolve FX​

  • New Film Look Creator.
  • Better Face Refinement box and profile handling and smooth skin options.
  • New Defocus Background isolates foreground with blur.
  • Improved blur quality for Radial Blur and Zoom blur.
  • Smoother sub pixel animation and finer control for Box and Directional blur.
  • Up to 3x faster Beauty, Edge Detect and Watercolor on Mac.
  • Up to 2x faster Beauty, Edge Detect and Watercolor on Nvidia systems.

Fairlight​

  • Fully integrated native Ambisonics workflow.
  • IntelliTrack powered audio panning to video.
  • Ability to sidechain VST3 and AU audio effects.
  • Music Remixer FX to remix voice, drums, bass, guitar and other sources.
  • Dialogue Separator FX to separate dialogue, background and ambience.
  • Ducker track FX for auto level management of beds against dialogue.
  • Voice Isolation supports true stereo and improved buffering.
  • Dialogue Leveler has improved with faster cue up time.
  • Improved frequency analyzer displays for spectrum and waterfall options.
  • Multiple improvements for native FX processing.
  • Multiple automation improvements.
  • Support for panning in groups.
  • Support for clip head and tail snapping in focus mode.
  • Support for zoom to fit for timeline view.
  • Support for LTC and MTC chase.*
  • Support for an exclusive solo mode.
  • Support for fades with Dolby Atmos compositions.
  • Arming a track now patches default audio inputs.
  • Ability to loop playback over range from Fairlight panels.
  • Support for dynamic delay compensation with AU plugins.
  • Support for Sony 360RA Walkmix audio formats and plugin.
  • Improved ADM and Vivid audio with MPEG-H SDK 2.75.
  • Support for third party auto conform workflows.

Codecs​

  • Up to 3x faster H.264 and H.265 decodes on non Studio in Windows.
  • Up to 2x faster H.264 and H.265 native encodes in Windows.
  • Support for encoding IMF packages with JPEG HT content.
  • Up to 2x faster decodes for ZIP1 compressed OpenEXR sequences.
  • Support for alpha-based HEIC formats.
  • Support for encoding FLAC audio.
  • Support for 44.1 KHz and other audio sample rates in Linux.
  • Render support for odd numbered resolutions in mov and avi formats.
  • Initial support for iPhone Cinematic video on Mac OS Sonoma.
  • DaVinci IO Encode Plugin SDK support for audio only formats.
  • Support for Sony XAVC H raw controls.
  • Support for embedded LUTs in Sony MXF and MP4 clips.
  • GPU accelerated decodes for ARRI Codex HDE on CUDA.

Scripting API​

  • Support for managing clip color groups.
  • Ability to query timeline, clip and group node graphs.
  • Support for enumerating tools used in a given node.
  • Support for setting and getting color keyframe mode.
  • Ability to export clip LUTs.
  • Ability to export timeline ALE and CDL.
  • Ability to import OpenTimelineIO timelines with custom import options.

General​

  • Organization profile support for Blackmagic Cloud.
  • Support for Blackmagic Cloud monthly Studio licenses.
  • Improved Blackmagic Cloud media sync dialog.
  • Open FX Resolve Renderer plugin for external VFX applications.
  • Support for German and Italian user interface localizations.
  • Support for duplicating local project libraries.
  • Support for restoring timeline backups from deleted timelines.
  • Loading large timelines now shows a progress bar.
  • Support for disabling specific video tracks for a render job.
  • Option to optimize audio loudness and peaks in render settings.
  • Support for HDR displays on Windows.
  • Support for HDR scans using the new Cintel scanner 8mm gate.
  • Support for black and white scans from the Cintel scanner.
  • Clip flags and colors support in data burn-ins.
  • New workflow integration example for common MAM APIs.
  • DaVinci Remote Monitoring using IP address connections.
  • Option to specify a custom TURN server for remote monitoring.
  • General performance and stability improvements.
 
DaVinci Resolve 19 Beta 4

Today we released public beta 4 of DaVinci Resolve 19 which adds further improvements to the DaVinci public beta, including the ability to live sync video from Blackmagic Design cameras. This allows H.264 proxies from the camera to sync into a DaVinci Resolve bin while the camera is recording. This means that within seconds, editors and colorists in post production facilities around the world can see media arriving in real time. Now they can start editing and grading, even while the camera continues to record. Files are live synced to Blackmagic Cloud as they are recorded, and then live synced to all DaVinci Resolve workstations that are connected to the same cloud project. All you need to do is connect to the project!

This update also adds new selection features for Blackmagic Cloud organizations, enabling you to view and switch organizations right from the project manager. This means you no longer have to log out of Blackmagic Cloud to select projects in a different organization.

For DaVinci Resolve Studio users, there is a new occlusion mask for the surface tracker so you can more clearly specify the object you want to track, while tracker modifiers in Fairlight will now default to using IntelliTrack to ensure you the best results when applying audio panning. There are also various improvements to Resolve FX film look creator to provide you with a more realistic film look in HDR mode, as well as better halation and handling of aspect ratios when using this effect.

Other improvements include a new option to select checkerboard and grey alpha viewer background in the cut and edit pages so you can quickly identify images and clips with alpha channels. New and imported projects will now default to camera originals over proxies if they are available, allowing you to grade or edit using the higher quality original footage.

There’s also support for Blackmagic RAW 4.1, improved waveform display for media with synced audio, retention of the playhead position when opening nested clips and a range of general performance and stability improvements.

DaVinci Resolve 19 Beta 4 is available now as a free download from http://bmd.link/xjrxHY
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Last edited:
DaVinci Resolve 19 Beta 5

Today we released public beta 5 of DaVinci Resolve 19 which adds further improvements to the DaVinci public beta, including the ability for multiview layouts in the cut page to adapt to the width of the viewer. This means the layout is optimized to display all of the sources with the minimum amount of blank space. There’s also the ability to set transition type, duration and alignment from the cut page timeline context menu, giving you faster and easier access when making these common editing decisions. In addition, cut page timelines can now show render cache activity so you are able to monitor when caching is in progress or has been completed.

This update also adds new Resolve FX film look creator options for emulating different stocks, allowing you to simulate some of your favorite film looks and adjust them to meet your creative vision. In addition, DaVinci Resolve now has the ability to retain video clip metadata when syncing audio and video files so the user can select to use either audio or video metadata to retain shot, scene and take information. Speed changes in the inspector are now keyframe aware meaning you can now add speed points to the clip and the speed of the clip playback between these keyframes can be adjusted on the timeline or using the inspector.

For DaVinci Resolve Studio, there has been a performance upgrade that allows for up to 3x faster AI performance on supported Intel Windows systems. This means you will experience faster workflows when working with AI tools such as magic mask, text based timeline editing, music remixing, dialogue separation, IntelliTrack AI and UltraNR noise reduction. Also for Studio users, there are new automatic SDR to HDR tone mapping and 2x and 4x SuperScale options when using Windows machines with supported Nvidia GPUs.

DaVinci Resolve 19 Beta 5 is available now as a free download from http://bmd.link/gXa4qk
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Βγήκε η τελική έκδοση 19.
Today we announced that the final release of DaVinci Resolve 19 is now available.

DaVinci Resolve 19 is a major new update which adds new DaVinci Neural Engine AI tools, over 100 feature upgrades such as IntelliTrack AI, Ultra NR noise reduction, ColorSlice six vector grading, film look creator FX and multi source editing on the cut page. For Fusion there are new USD tools and multipoly rotoscoping tools, plus Fairlight has new Fairlight AI audio panning to video, ducker track FX and ambisonic surround sound. Blackmagic Cloud has new features that make it easy to use for large companies with multiple users collaborating on the same project at the same time. There’s also support for DaVinci Resolve Replay so you can create live action replays straight to air during live events and convert those replays into promos, highlight packages and instant social media updates.

With this update, editors can work directly with transcribed audio to find speakers and edit timeline clips. Colorists can produce rich film like tones with the ColorSlice six vector palette and produce cinematic images using the new film look creator effect which emulates photometric film processes. In Fairlight, the IntelliTrack AI can be used to track motion and automatically pan audio. VFX artists in Fusion have an expanded set of USD tools plus a new multipoly rotoscoping tool which displays all of your masks in a single list. The cut page has new broadcast replay tools for live multi camera broadcast editing, playout and replay with speed control. There’s also support for live sync with Blackmagic Cloud which uploads media into a DaVinci Resolve bin while the camera is recording so editors and colorists can start working even while the camera is rolling.

We would like to thank all of the customers that participated in the beta program, tested the software in a variety of workflows, reported bugs and helped to make DaVinci Resolve 19 even more reliable.

DaVinci Resolve 19 update is available now as a free download from http://bmd.link/fuuAg3
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Μπόμπα οι αλλαγές!
Την αγαπώ αυτή την σουίτα!
Ισα και που σκέφτομαι να αγοράσω την πλήρη έκδοση! Έτσι, για να τους στηρίξω!
 
Highpriest said:
Μπόμπα οι αλλαγές!
Την αγαπώ αυτή την σουίτα!
Ισα και που σκέφτομαι να αγοράσω την πλήρη έκδοση! Έτσι, για να τους στηρίξω!
Click to expand...
Η bmd δίνει δωρεάν το Resolve Studio με συνεχείς αναβαθμίσεις με οποιαδήποτε αγορά ενός προϊόντος τους πανω από 300…
Όποτε ένα Atem mini και πανω, το speed editor keyboard , φυσικά οι κάμερες, εγγράφεις κλπ, αξίζει με κλειστά μάτια.
 
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Πάμε πάλι..

DaVinci Resolve 19.0.1​

What’s new in DaVinci Resolve 19.0.1​


  • More responsive timeline updating when moving large numbers of clips.
  • Smoother playback when using a fixed playhead in the edit.
  • Addressed disabled matte nodes being enabled in duplicated timelines.
  • Addressed media management issues when transcoding embedded AAFs.
  • Addressed applying clip grades potentially causing unlinked mattes.
  • Addressed Windows issue detecting new audio devices after launch.
  • Addressed viewer annotation markers not honoring selected marker color.
  • Addressed an issue with directional blur at 180º angles.
  • Addressed a license activation issue on systems with macOS 15 beta.
  • Addressed Dolby audio bus-assign workflows not engaging the renderer.
  • Addressed incorrect GetClipProperty script return values for audio clips.
  • Addressed issues with executing compiled Lua scripts on Windows.
  • Addressed an issue with some shortcuts with the latest Mac updates.
  • Scripting API support to query audio mapping for timeline clips.
  • Scripting API support to query format for audio tracks.
  • General performance and stability improvements.

Download from here.
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19.02
Today we released DaVinci Resolve 19.0.2 which adds support for decoding MPEG transport stream clips, giving you a greater range of file types to use in post production. There is also improved audio alignment when replacing clips in the media pool, meaning you can use newer clips versions with mismatching timecodes, while keeping the video and audio in sync.

There is also support for new media pool API scripts to select clips, plus per clip custom metadata as well as source start and end values. These new API scripts will allow you to streamline your post production workflow by automating time consuming, repetitive tasks when working with media pool clips.

This update also improves handling of metadata in EDL clip names, meaning when you export a clip in an edit decision list, the clip name will be retained in the metadata and correctly displayed when imported back into DaVinci Resolve. Also, when using the replace clip command, the destination track settings will now be retained, allowing you to perform multiple edits in succession with your chosen destination settings.

DaVinci Resolve 19.0.2 update is available now as a free download from http://bmd.link/bX7on3
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Το 19.01 με πέταγε πολύ συχνά εξω στην διάρκεια του color grading. Σε βαθμό που αρχισα να ψάχνω αν δεν δουλευει κάτι σωστά στον υπολογιστή.
Ελπίζω με αυτη την έκδοση να στρώσει, και να ήταν κάποιο μικρο bug που τα έκανε όλα αυτά.
 
Kosh said:
απο μνημη εισαι επαρκης ?

studio version ?
Click to expand...
Απο μνημη καλά είμαι, δεν χρησιμοποιώ και fusion για να πω ότι το ζορίζω.
Free έκδοση
Μεχρι πριν την 19 πήγαινε σφαίρα. Θα δω με την 19.02 αν στρώσει
 
Davnici Resolve 19.1
Today we released DaVinci Resolve 19.1, which includes a range of features and improvements that will give you more control and significantly speed up your multicam, audio and visual effects workflows.

On the edit page, there is a new trim slider for the audio menu of the inspector, allowing channels of a source clip to be trimmed independently. You can trim one or more channels at once, allowing you to balance the audio of a multichannel recording before editing it in the timeline. There are also new menu actions to select nearest in, out or roll edit points, and improved audio ducker support allowing you to select multiple tracks to trigger the ducking. This is useful in a two shot where you can select audio from both characters to automatically trigger background noise reduction.

For Fairlight, audio tracks can now be duplicated or disabled from the track header context menu, while duplicated tracks will make an identical copy, including all media, settings and automation. You can also reorder tracks and busses by dragging their name in the mixer and when trimming audio you will now see the waveform overlays of the clip being worked on and the clip next to it. These improvements will make it clearer and easier to make adjustments to your audio.

There are new Fusion effects, including generators so you can quickly create backgrounds such as stage curtains, a star field and gradient or radial lines. There are also new title templates to make it easy to add more interesting titles to your work including those with a glass effect, rainbow style or a gradient outline. In addition, Fusion media inputs will now honor upper or lower field dominance for interlaced footage. This means the effects you apply will display and render correctly based on the original scan pattern. In addition, there is a new tool in Fusion which lets you export USD assets and scenes from compositions, including all geometry, lighting and cameras, speeding up your post production visual effect workflow. This update also includes support for USD 24.08 with improved MaterialX performance and polygon and B-spline viewer toolbar controls.

When color grading, you can now copy the active node stack layer from timeline clips in the gallery and apply to clips on your current timeline. This allows you to easily copy a grade from one layer to another, giving you more flexibility to create and compare different looks. If you're working with a DaVinci Resolve Mini Panel there is now a dedicated setting in the menu that allows you to more easily edit custom curve control points using your panel.

For DaVinci Resolve Studio, there are improvements to object mask caching, so you can edit clips prior to the object mask node and the mask will be retained. This means if you resize, color grade or change the order of nodes before the color mask, the mask itself won't be affected. There is also new support for decoding and playback of spatial photos and videos. This means you can now edit, color grade and apply effects to this footage and render it for playback on your Apple Vision Pro.

This update also adds reorder functionality to jobs in the render queue. This means you can now drag and drop jobs in your render queue to change the order when your priorities change and you need to render something quickly. There’s also the ability to encode 10 bit H.265 Main10 formats in DaVinci Resolve on Windows, giving you higher quality rendered images, as well as a new context menu option on the media page to automatically sync bins from file folders.

DaVinci Resolve 19.1 update is available now as a free download from http://bmd.link/u3J9Vz
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DaVinci Resolve 19.1.1

Today we released DaVinci Resolve 19.1.1 update which adds the ability to paste clips in the timeline at either the playhead or the in and out points. This gives you greater flexibility when applying your edits so you can choose the method that’s easiest for your workflow. When editing there’s also improved system stability for previewing clip transitions with FusionFX applied. Track controls are also now correctly displayed in the edit index, making it easier to select and disable tracks.
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For Fusion, when working with fisheye textures in the spheremap 3D tool, the effect will now render correctly, making it easier to work with materials and reflections. There is also greater stability when adding two point b-spline polygons so you can confidently create soft edge mattes. In addition, when reviewing the thumbnail timeline on the color page, spatial photos will now display more reliably so you can quickly see and select shots.
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For Fairlight, this update improves automation trim controls when playing your timeline so you can more consistently trim and adjust clips. Also, when importing AAFs with full clip fades, the start and end fade levels are now correctly applied so they will be accurately reproduced.
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In addition, for those using older operating systems there are a range of improvements. There’s better H.265 encoding on computers with older NVIDIA graphics cards, giving you smaller, higher quality renders. For those using Mac Sequoia 15.1 operating systems, H.265 multipass renders will now be accurately completed. There is also a new render option for MP4s on Windows 10 giving you greater compatibility with a wider range of older media players.
Click to expand...

DaVinci Resolve 19.1.1 update is available now as a free download from http://bmd.link/mc7Rju
 
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