Καμια σχεση με την Ατζελα.
Αντε Χρηστο, να το παρει το ποταμι, για να κλεισει και το off topic!:FSGSFGS4:
Ναι βεβαια, ο ενας ειναι αντρας κι η αλλη γυναικα.
Επι του θεματος του παραδειγματος κανενα σχολιο μιας κι εχεις κι εσυ το μηχανακι του θεματος ?
Θυμαμαι, αλλα η Αντζελα, που κολλαει??!!
Αν εννοεις οτι η εικονα του ντιλα καπως "ψευτικη", οχι, δεν εχω δει κατι τετοιο.
Αν κατι αλλο, πολυ ευχαριστως να πω την αποψη μου.
Μαλλον δεν θα την εχεις δει την αφισα.
Anyway, ειναι φτιαγμενη με τετοιο τροπο που φαινονται "ψευτικα" και "ψιλοπλαστικα".
Έχω την εντύπωση ότι αυτό που άρχισε να λέει ο Χρήστος δεν το τελείωσε... Και επειδή μου φάνηκε αρκετά ενδιαφέρον, μιας και έχω (απ' ότι καταλαβαίνω) παρόμοια εντύπωση αλλά όχι τις γνώσεις για να το διατυπώσω σωστά, θα ήθελε να γίνει πιο συγκεκριμένος;;;
Ξεκινα εσυ να λες την παρομοια εντυπωση σου και βλεπουμε.
Παιδια, να τονισω ποσο δυσκολο εως αδυνατο ειναι να γινονται συγκρισεις απο μνημης..
Τα πραγματα χειροτερευουν ειδικα οταν μιλαμε για αλλους χωρους, αλλες ιντσες, αλλα συνοδα...
Εδω ενα κλικ Brightness/contrast πανω-κατω στον ΙΔΙΟ προβολεα, μπορει να κανει μεγαλη διαφορα στο να αναδειχθουν ή να χαθουν λεπτομερειες στην εικονα, τι να λεμε τωρα..
Οχι απολυτα, διοτι δεν εχει Color Management System.
Το παλευουμε ομως να γινει μεσω scaler ή HTPC.
Παντως, το οτι εχει καπως υπερκορεσμενα χρωματα out of the box, δεν σημαινει οτι εχει σοβαρο χρωματικο προβλημα.
Ναι αλλά συγκρίσεις από φωτογραφική (μνήμη εννοείται) είναι εύκολες, σωστά;;;
In fact, (as I know you know) I haven't bashed JVC at all.
The RS-1 is an incredible achievement. No one else has come close to producing a projector with the native contrast ratio of the RS-1. That is one of the most important performance parameters that a projector can have and JVC has jumped way ahead of its competition in that aspect of projector performance. I wouldn't criticize anyone for buying an RS-1 solely to get that performance.
No one has built a perfect projector. None are without some flaws. We've got some projectors with rainbows, some with brightness compression, some with color non-uniformity, some are noisy, some have inaccurate color, etc. On the other hand, we have the RS-1 with superb full-field contrast (and RS-2 is supposed to be even better), and other projectors that allow us to select accurate SMPTE-C or Rec 709 colorimetry, or that have exceptional MANSI contrast, or exceptional resolution, or image depth, etc. So each of us can pick a projector according to our own preferences with some combination (some balance) of superb performance and flaws. I would never criticize anyone for their choice. It's their preferences that matter, not mine. And preferences change over time as you may get used to some flaws, or become increasingly annoyed by them.
Each display technology has its pluses and minuses, but fortunately none of the technologies is stagnate. LCoS used to produce the worst full-field contrast ratios, now the RS-1 produces the best. I'm confident that new technology will fully eliminate rainbows from single-chip DLP in a few years. Major improvements in some areas like full-field contrast and sequential-color rainbows require substantial new technology to be developed and refined. We should let the manufacturers know what we want and what we aren't satisfied with, but in some cases we have to wait for the technology to catch up with our requests.
However, CMS technology is relatively simple and inexpensive to implement. The manufacturers want over-saturated primaries because they sell more projectors to the average buyer. That's a fact, and they have done the marketing studies to prove it. It's really no different than having grossly high color temperatures for the last 40 years to attract more buyers. But, after years of lobbying by video enthusiasts (which included educating consumer's to increase demand, as well as manufacturers), the manufacturers now include multiple color temperature settings in every display and projector, and provide the necessary calibration controls (usually easily accessible in user menus) to adjust grayscale. I believe they should do the same thing with color management systems. It's a win-win situation for everyone. The manufacturer's can have their over-saturated native primary colors for curb appeal, but they should include a CMS that would allow factory calibrated SMPTE-C and Rec. 709 colors to be selected in a user menu. Just like displays currently have High, Middle, and Low color temperature selections, they should have Native, Rec 709, and SMPTE-C Color Gamut selections. Plus they should allow the user to adjust the CMS, just like they currently provide grayscale adjustments, so we can calibrate those settings when new (since the factories will never get them exactly right) and as the lamps age. When a CMS is included in the projector design the additional manufacturing cost is very low.
Manufacturers read reviews of their products and other manufacturer's products. They do read these forums. They do make changes and additions to products based on what they read in reviews and on these forums. I know that because when I get a new projector to review they often point out changes that were made in response to something I wrote in a previous review. And they often mention or ask about things they have read in the forums. I think well reasoned discussions, not bashing, in these forums are more effective in getting manufacturers to make changes to future products than writing them letters that may never get to anyone with influence. I'm not saying don't write letters, but thoughtfully discussing issues in an appropriate thread is an effective way to communicate with the manufacturers. Just bashing a product however, isn't.
Για να βαλουμε τα πραγματα στην σωστη τους διασταση, να (ξανα) τονισουμε οτι ΔΕΝ υπαρχει τελειος προβολεας. Υπαρχουν ομως προβολεις που overall παιζουν καλυτερα απο καποιους αλλους. Ενας τετοιος ειναι και ο JVC.
Ειναι ενδιαφερον να δουμε την αποψη του Greg Rogers επι του θεματος:
The manufacturers want over-saturated primaries because they sell more projectors to the average buyer.
We use essential cookies to make this site work, and optional cookies to enhance your experience.