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Charles Munch/Boston symphoy orchestra - Bach Violin Concerto No.1 in A Minor
Howard Mitchell/National Symphony Orchestra - Mozart Violin Concerto No.3 in G

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Αναζητώντας τα χαμένα παραμύθια... των αδελφών Grimm αυτή τη φορά.....
(H.P Lovecroft και Ιούλιος βερν στα δύο προηγούμενα albums)

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Paul Roland - Grimm (2011)
 
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Βen Frost: Theory Of Machines (Bedroom Community CD - 2006)



When I was making it, it was borderline ritualistic, a sacrificial process, purposefully laying these perfect, harmonious combinations of notes and textures at the mercy of this unspeakable horrible aural violence via these large blasts of subsonic attack.”... Frost’s music is saturated with a sense of the cinematic. Most Hollywood scores now are depressingly conservative, but Frost’s work could be a template for a 21st century movie music. “The overtly didactic gestures that plague modern film music are totally not something I am interested in,” he says, “but the blurring of that once definitive line between sound design and score – particularly in some of these big action films recently – nauseating content aside, is, I think, really fucking exciting. If my work is cinematic, it is really only in the sense that making it, for me, is very much a visual exercise where every element of this record has a singular and inherent animated visual shape, colour and texture, and that I am trying to make this music a world in and of itself.”
 
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Βen Frost: Theory Of Machines (Bedroom Community CD - 2006)




When I was making it, it was borderline ritualistic, a sacrificial process, purposefully laying these perfect, harmonious combinations of notes and textures at the mercy of this unspeakable horrible aural violence via these large blasts of subsonic attack.”... Frost’s music is saturated with a sense of the cinematic. Most Hollywood scores now are depressingly conservative, but Frost’s work could be a template for a 21st century movie music. “The overtly didactic gestures that plague modern film music are totally not something I am interested in,” he says, “but the blurring of that once definitive line between sound design and score – particularly in some of these big action films recently – nauseating content aside, is, I think, really fucking exciting. If my work is cinematic, it is really only in the sense that making it, for me, is very much a visual exercise where every element of this record has a singular and inherent animated visual shape, colour and texture, and that I am trying to make this music a world in and of itself.”
Εξαιρετικός δίσκος, ο επόμενος, by the throat, είναι αριστούργημα.
 
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Εξαιρετικός δίσκος, ο επόμενος, by the throat, είναι αριστούργημα.


κατι τετοια αλμπουμ με φαγανε και αρχισα να αλληθωριζω :flipout:
ο τυπος ειναι μορφη στο ειδος, αλλα και ζορικο ακουσμα
εμενα μου αρεσε πολυ και το Solaris που εκανε περσυ ξαναγραφοντας/αναθεωρωντας το soundrack της ταινιας του Tarkovsky
 
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εαύ, πριν κάνεις συστάσεις, να αλλάξεις την υπογραφή σου. γιατί πάς καρφωτός για κατηγορία unjustifiably sad (sic).
όπως ο Merritt καλή του ώρα.
"Χαμογέλα ρε! Τι σου ζητάνε;"
 
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Canned Heat - Fried Hockey Boogie

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Canned Heat - Wish You Would

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