Γιωργος Λυμπεροπουλος
AVClub Addicted Member
- 16 August 2006
- 1,635
Now playing...(ΟΧΙ video clips)
- Thread starter Stergito
- Start date
Σπύρος Σούρλας
AVClub Fanatic
Απάντηση: Re: Απάντηση: Now playing...
Nαί Σύντροφε..
Σπουδαία μουσική σκηνή..
Γιατρε μου σου αρεσουν οι Βορειοι,ε??
Nαί Σύντροφε..
Σπουδαία μουσική σκηνή..
Γιωργος Λυμπεροπουλος
AVClub Addicted Member
- 16 August 2006
- 1,635
Re: Now playing...
Αλλα κολπα σημερα για μενα .....
Καταιγιστικοι ρυθμοι, απολαυστικη κακοφωνια και θορυβος...yeahhhhh
γαργαλιστικο, αλητικο Rock 'n' Roll απο το Ohio
Times New Viking-Rip it off
Γιατρε μου.....τα χαπια μου ........γρηγορα:ernaehrung004:
Αλλα κολπα σημερα για μενα .....
Καταιγιστικοι ρυθμοι, απολαυστικη κακοφωνια και θορυβος...yeahhhhh
γαργαλιστικο, αλητικο Rock 'n' Roll απο το Ohio
Times New Viking-Rip it off
Γιατρε μου.....τα χαπια μου ........γρηγορα:ernaehrung004:
Γιωργος Λυμπεροπουλος
AVClub Addicted Member
- 16 August 2006
- 1,635
Re: Now playing...
And I continue
The Dimes-The Silent Generation :ernaehrung004:
And I continue
The Dimes-The Silent Generation :ernaehrung004:
Last edited by a moderator:
Re: Now playing...
BILL FRISELL-good dog happy man
διότι επιβάλλεται χαλάρωσις:ADFADF1::ernaehrung004::ears:
BILL FRISELL-good dog happy man
διότι επιβάλλεται χαλάρωσις:ADFADF1::ernaehrung004::ears:
Tasos_Th
Supreme Member
Re: Now playing...
για να εχεις μια πλήρη περιγραφή σου παραθέτω λεπτομέρειες από την WIKIPEDIA____
Frisell was born in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado area and went to the University of Northern Colorado to study music. His original guitar teacher in the Denver area was Dale Bruning, with whom Frisell has released a duo album. After graduating from Northern Colorado, where he studied with Johnny Smith, Frisell went to Berklee School of Music in Boston and studied with Jim Hall. This experience was to make a lasting impression on his playing.
Frisell's major break came when Pat Metheny, unable to make a session, recommended him to Paul Motian, then playing for ECM Records[1]. Frisell became ECM's in-house guitar player, and worked on several albums, most notably Jan Garbarek's 1981 Paths, Prints. Frisell's first solo release was In Line, and was solo guitar except for some tracks featuring Arild Andersen on bass.
Frisell's first group to receive much acclaim was his quartet with Kermit Driscoll on bass, Joey Baron on drums, and Hank Roberts on cello (later slimmed down to a trio when Roberts left). Many other albums with larger ensembles were recorded with this group as the core.
In the 1980s Frisell lived in New York City and was an active participant in the city's thriving music scene. He forged an early partnership with John Zorn—including as a member of quick-change band Naked City—and performed or recorded with many others. He also became known for his work in Paul Motian's group – originally a quintet, but which slimmed down to an unusual and influential bassless trio of just Motian, Frisell and Joe Lovano. In 1988 Frisell left New York City and moved to Seattle, Washington[2].
In the 1990s Frisell made two of his most celebrated albums: first, Have a Little Faith, an ambitious survey of Americana of all stripes, from Charles Ives and Aaron Copland (the entirety of Billy the Kid) to Bob Dylan and Madonna (a surreal version of "Live to Tell"); and second, This Land, a complementary set of originals. He also branched out into performing soundtracks to the silent films of Buster Keaton with his trio, and contributed to Ryuichi Sakamoto's album Heartbeat.
In the mid-1990s, Frisell disbanded his trio. He continued the trend marked by Have a Little Faith by more explicitly incorporating elements of bluegrass and country music into his music. His friendship with Gary Larson led him to provide music for the TV version of The Far Side[3] (released on the album Quartet along with music written for Keaton's Convict 13).
Some of Frisell's songs, including "Over the Rainbow" and "Coffaro's Theme", were featured in the movie Finding Forrester (2000).
In 1999, Frisell was commissioned by the Walker Arts Center in Minneapolis, Minnesota to compose Blues Dream, which he premiered on November 15, 1999. He later recorded the work for a 2001 release on Nonesuch.
Between 2003 and 2005 Frisell acted as musical director for Century of Song, a series of concerts at the German arts festival RuhrTriennale. Frisell invited artists including Rickie Lee Jones, Elvis Costello, Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic Chesnutt, Van Dyke Parks, Buddy Miller, Ron Sexsmith and Chip Taylor to perform their favourite songs in new arrangements.
In 2003, Frisell's The Intercontinentals was nominated for a Grammy award, but he won the 2005 Grammy Award for Best Contemporary Jazz Album for his album Unspeakable.
[edit] Discography
* In Line (ECM, 1983)
* Theoretically (with Tim Berne) (Minor Music, 1984)
* Rambler (ECM, 1984)
* Smash & Scatteration (with Vernon Reid) (Minor Music, 1985)
* Lookout for Hope (ECM, 1987)
* Stay Awake: Various Interpretations of Music from Vintage Disney Films (1988) — One of Various Artists
* Before We Were Born (Nonesuch, 1989)
* Is That You? (Nonesuch, 1990)
* Where in the World? (Nonesuch, 1991)
* Have a Little Faith (Nonesuch, 1992)
* Weird Nightmare: Meditations on Mingus (1992) - One of various artists
* Live (Nonesuch, 1993)
* This Land (Nonesuch, 1994)
* American Blood/Safety in Numbers (1995)
* Go West: Music for the Films of Buster Keaton (Nonesuch, 1995)
* The High Sign/One Week {Keaton} (Nonesuch, 1995)
* Quartet (Nonesuch, 1996)
* Nashville (Nonesuch, 1997)
* Gone, Just Like a Train (Nonesuch, 1998)
* Good Dog, Happy Man (Nonesuch, 1999)
* Ghost Town (Nonesuch, 2000)
* Blues Dream (Nonesuch, 2001)
* With Dave Holland and Elvin Jones (Nonesuch, 2001)
* Rarum: Selected Recordings of Bill Frisell (Nonesuch, 2002)
* The Willies (Nonesuch, 2002)
* The Intercontinentals (Nonesuch, 2003)
* Unspeakable (Nonesuch, 2004)
* Richter 858 (Nonesuch, 2005)
* East/West (Nonesuch, 2005)
* Further East/Further West (Nonesuch, 2005) download-only
* Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006)
* Frisell/Carter/Motian e.p. (Nonesuch, 2006) download-only
* Floratone (Bluenote, 2007)
για να εχεις μια πλήρη περιγραφή σου παραθέτω λεπτομέρειες από την WIKIPEDIA____
Frisell was born in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado area and went to the University of Northern Colorado to study music. His original guitar teacher in the Denver area was Dale Bruning, with whom Frisell has released a duo album. After graduating from Northern Colorado, where he studied with Johnny Smith, Frisell went to Berklee School of Music in Boston and studied with Jim Hall. This experience was to make a lasting impression on his playing.
Frisell's major break came when Pat Metheny, unable to make a session, recommended him to Paul Motian, then playing for ECM Records[1]. Frisell became ECM's in-house guitar player, and worked on several albums, most notably Jan Garbarek's 1981 Paths, Prints. Frisell's first solo release was In Line, and was solo guitar except for some tracks featuring Arild Andersen on bass.
Frisell's first group to receive much acclaim was his quartet with Kermit Driscoll on bass, Joey Baron on drums, and Hank Roberts on cello (later slimmed down to a trio when Roberts left). Many other albums with larger ensembles were recorded with this group as the core.
In the 1980s Frisell lived in New York City and was an active participant in the city's thriving music scene. He forged an early partnership with John Zorn—including as a member of quick-change band Naked City—and performed or recorded with many others. He also became known for his work in Paul Motian's group – originally a quintet, but which slimmed down to an unusual and influential bassless trio of just Motian, Frisell and Joe Lovano. In 1988 Frisell left New York City and moved to Seattle, Washington[2].
In the 1990s Frisell made two of his most celebrated albums: first, Have a Little Faith, an ambitious survey of Americana of all stripes, from Charles Ives and Aaron Copland (the entirety of Billy the Kid) to Bob Dylan and Madonna (a surreal version of "Live to Tell"); and second, This Land, a complementary set of originals. He also branched out into performing soundtracks to the silent films of Buster Keaton with his trio, and contributed to Ryuichi Sakamoto's album Heartbeat.
In the mid-1990s, Frisell disbanded his trio. He continued the trend marked by Have a Little Faith by more explicitly incorporating elements of bluegrass and country music into his music. His friendship with Gary Larson led him to provide music for the TV version of The Far Side[3] (released on the album Quartet along with music written for Keaton's Convict 13).
Some of Frisell's songs, including "Over the Rainbow" and "Coffaro's Theme", were featured in the movie Finding Forrester (2000).
In 1999, Frisell was commissioned by the Walker Arts Center in Minneapolis, Minnesota to compose Blues Dream, which he premiered on November 15, 1999. He later recorded the work for a 2001 release on Nonesuch.
Between 2003 and 2005 Frisell acted as musical director for Century of Song, a series of concerts at the German arts festival RuhrTriennale. Frisell invited artists including Rickie Lee Jones, Elvis Costello, Suzanne Vega, Arto Lindsay, Loudon Wainwright III, Vic Chesnutt, Van Dyke Parks, Buddy Miller, Ron Sexsmith and Chip Taylor to perform their favourite songs in new arrangements.
In 2003, Frisell's The Intercontinentals was nominated for a Grammy award, but he won the 2005 Grammy Award for Best Contemporary Jazz Album for his album Unspeakable.
[edit] Discography
* In Line (ECM, 1983)
* Theoretically (with Tim Berne) (Minor Music, 1984)
* Rambler (ECM, 1984)
* Smash & Scatteration (with Vernon Reid) (Minor Music, 1985)
* Lookout for Hope (ECM, 1987)
* Stay Awake: Various Interpretations of Music from Vintage Disney Films (1988) — One of Various Artists
* Before We Were Born (Nonesuch, 1989)
* Is That You? (Nonesuch, 1990)
* Where in the World? (Nonesuch, 1991)
* Have a Little Faith (Nonesuch, 1992)
* Weird Nightmare: Meditations on Mingus (1992) - One of various artists
* Live (Nonesuch, 1993)
* This Land (Nonesuch, 1994)
* American Blood/Safety in Numbers (1995)
* Go West: Music for the Films of Buster Keaton (Nonesuch, 1995)
* The High Sign/One Week {Keaton} (Nonesuch, 1995)
* Quartet (Nonesuch, 1996)
* Nashville (Nonesuch, 1997)
* Gone, Just Like a Train (Nonesuch, 1998)
* Good Dog, Happy Man (Nonesuch, 1999)
* Ghost Town (Nonesuch, 2000)
* Blues Dream (Nonesuch, 2001)
* With Dave Holland and Elvin Jones (Nonesuch, 2001)
* Rarum: Selected Recordings of Bill Frisell (Nonesuch, 2002)
* The Willies (Nonesuch, 2002)
* The Intercontinentals (Nonesuch, 2003)
* Unspeakable (Nonesuch, 2004)
* Richter 858 (Nonesuch, 2005)
* East/West (Nonesuch, 2005)
* Further East/Further West (Nonesuch, 2005) download-only
* Bill Frisell, Ron Carter, Paul Motian (Nonesuch, 2006)
* Frisell/Carter/Motian e.p. (Nonesuch, 2006) download-only
* Floratone (Bluenote, 2007)
Last edited:
Tasos_Th
Supreme Member
Απάντηση: Now playing...
Οποτε ακουω καποιο απο τα γνωστα "unplugged" (δεν εχω και πολλα) αναρωτιεμαι πως ειναι δυνατον να μην κυκλοφωρησε ποτε σε CD το αντιστοιχο των Pearl Jam που ειχαν ηχογραφισει μετα το πρωτο τους αλμπουμ. Eιχαν παιξει και το State of love and trust, αν θυμαμαι καλα. Οποιος το εχει δει στο MTV, θα συμφωνει, φανταζομαι, πως ηταν απο τα καλυτερα, αν οχι το καλυτερο, "unplugged". Περιεργο...
Οποτε ακουω καποιο απο τα γνωστα "unplugged" (δεν εχω και πολλα) αναρωτιεμαι πως ειναι δυνατον να μην κυκλοφωρησε ποτε σε CD το αντιστοιχο των Pearl Jam που ειχαν ηχογραφισει μετα το πρωτο τους αλμπουμ. Eιχαν παιξει και το State of love and trust, αν θυμαμαι καλα. Οποιος το εχει δει στο MTV, θα συμφωνει, φανταζομαι, πως ηταν απο τα καλυτερα, αν οχι το καλυτερο, "unplugged". Περιεργο...
Tasos_Th
Supreme Member
Απάντηση: Now playing...
Eγώ στο προηγούμενο , δεν άντεχα με τίποτα το Jesus Doesn't Want Me For A Sunbeam . Με τίποτα όμως...
Eγώ στο προηγούμενο , δεν άντεχα με τίποτα το Jesus Doesn't Want Me For A Sunbeam . Με τίποτα όμως...
Απάντηση: Now playing...
Κι εγω πλεον 3-4 κομματια ακουω. About A Girl, Come As You Are, The Man Who Sold The World, Plateau, αντε και 1-2 ακομα.
Κι εγω πλεον 3-4 κομματια ακουω. About A Girl, Come As You Are, The Man Who Sold The World, Plateau, αντε και 1-2 ακομα.
Re: Now playing...
Από το Unplugged In New York, κρατάω το About A Girl.
Όσον αφορά το The Man Who Sold The World, όχι ευχαριστώ, θα πάρω Bowie.
Από το Unplugged In New York, κρατάω το About A Girl.
Όσον αφορά το The Man Who Sold The World, όχι ευχαριστώ, θα πάρω Bowie.
Re: Απάντηση: Now playing...
αχ και να είχε το oceansize καλύτερη παραγωγή....χάνεται ο "μισός" δίσκος στην παραγωγη
Εγώ τώρα έχω βάλει το
και μετά θα μπει το
αχ και να είχε το oceansize καλύτερη παραγωγή....χάνεται ο "μισός" δίσκος στην παραγωγη
