Sensor Size & Format wars



In March 2004, Australian photographer Robert Edwards asked a simple but meaningful question on Rob Galbraith’s now-defunct photography forums: “Could Adobe make a RAW format?” The answer was very much “yes,” and Adobe announced the DNG format, or Digital Negative, later that same year. Now, more than two decades later, DNG is now the official standard under the International Organization for Standardization (ISO).

As Edwards explains, this is the result of a quarter-century of work by countless people. It’s also deceptively important work with significant implications for the future of digital photography.

Nearly all cameras, and certainly all of the ones PetaPixel readers care about, capture RAW photos. In most cases, the specific format varies by brand, and sometimes a camera has multiple different RAW file formats with different compression mechanisms. For example, Sony Alpha cameras capture .ARW RAW photos, while Nikon cameras shoot .NEF, Canon’s capture .CR2, Fujifilm has .RAF, and so on. Some cameras capture .DNG RAW files, like Leica, Ricoh, and Sigma cameras.
 


For decades, Sony has been the dominant force in CMOS image sensor design and manufacturing, supplying its sensors to most of the smartphone industry (including Apple, Samsung, and Huawei flagship devices), to most of its competitors in the camera industry, and of course to its own Alpha and Cinema Line cameras. The Imaging & Sensing Solutions division generated roughly $11.8 billion in sales in fiscal 2024 and remains the largest single recipient of Sony’s R&D spending. The image sensor business is, in other words, not a sideline; it is one of the most strategically important units in the entire Sony Group.

That makes the framing CEO Hiroki Totoki used on the company’s post-earnings call notable. According to a Bloomberg report, Totoki told analysts that “the joint venture with TSMC will be our first step to becoming fab-light,” adding, “until now, we have handled everything in-house, from R&D to manufacturing, but going forward, we hope to advance manufacturing not only on our own but also by bringing in partners.” That is a meaningful change in posture from a company that has historically guarded its sensor manufacturing tightly.

The strategic logic, read between the lines, is straightforward. Modern stacked CMOS sensors (the kind that power cameras like the Sony BURANO, the a7 V, and the recently announced LYTIA 901 smartphone sensor) are increasingly difficult and expensive to fabricate. They require precise wafer bonding, on-chip logic and AI processing circuits, multiple stacked layers, and yield rates that fall as complexity grows. TSMC has spent a generation building exactly the advanced process technology and capacity that next-generation image sensors require. Bringing TSMC inside the tent gives Sony access to that capability without having to build (and finance) every new fab from scratch.
 
Μάλλον δεν θα ζούμε για να τον δούμε μέσα σε μηχανή, αλλά όπως είπε κάποιος διάσημος "αν ο στόχος σας μπορεί να επιτευχθεί μέσα σε μια ζωή, μάλλον θέσατε τον πήχη πολύ χαμηλά"...