Το videoclip της ημέρας

Η αφηγηση του Γ. Σεφέρη δεν είναι άλλο ένα ποίημα ..Ειναι η διαχωριστική γραμμή που στέκεται σαν το Σινικό τείχος ανάμεσα στους χαρακτήρες των ανθρώπων.
Η ποιότητα της μελοποίησης είναι υποκειμενικό θέμα και η αλήθεια είναι ότι ελάχιστα με ενδιαφέρει..
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Υμνος.
Ακραία επίκαιρος.


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Oh, I'm a good old Rebel
Now that's just what I am
For this fair land of freedom
I do not care a damn
I'm glad I fought against it
I only wish we'd won
And I don't want no pardon
For anything I've done

I hates the Yankee nation
And everything they do
I hates the Declaration
Of Independence, too;
I hates the glorious Union-
'Tis dripping with our blood-
And I hates their striped banner
I fought it all I could

Three hundred thousand Yankees
Stiffen in Southern dust
We got three hundred thousand
Before they conquered us
They died of Southern fever
And Southern steel and shot
And I wish it was three million
Instead of what we got

I won't be reconstructed
I'm better now than then
And for that carpetbagger
I do not give a damn
So I'm off for the frontier
Soon as I can go
I'll prepare a weapon
And start for Mexico
 
και το original.
χωρίς ...λευκαντικά και κάθε λογής politically correct φλωριές.


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Oh, I’m a good old Rebel,
Now that’s just what I am;
For this “fair land of Freedom”
I do not care a damn.
I’m glad I fit against it-
I only wish we’d won.
And I don’t want no pardon
For anything I’ve done.

I hates the Constitution,
This great Republic too;
I hates the Freedmen’s Buro,
In uniforms of blue.
I hates the nasty eagle,
With all his brag and fuss;
But the lyin’, thievin’ Yankees
I hates’ em wuss and wuss.

I hates the Yankee nation
and everything they do,
I hates the Declaration
of Independence, too;
I hates the glorious Union
tis drippin’ with our blood
I hates their striped banner,
I fit it all I could.

I followed Ol’ Marsh Roberts
for four years, nearabout,
got wounded in three places
and starved at P’int Lookout:
I cotched the rheumatism
a’campin’ in the snow;
but I killed a chance o’ Yankees,
I’d like to kill some mo’.

We got three hundred thousand
Befo’ they conquered us.
They died of Southern fever
And Southern steel and shot;
And I wish it was three million
Instead of what we got.

I can’t take up my musket
And fight’ em now no mo’,
But I ain’t a-goin’to love’ em,
Now that is sartin sho’;
And I don’t want no pardon
For what I was and am;
And I won’t be reconstructed,
And I do not give a damn.
 
June 4 1989. It’s a Sunday morning. The weather’s not bad enough to be a downer, and in the hard, black economy cash in your pocket puts a spring in your step. On the way into town, you can see London spread out before you: the tombstone skyscrapers of the City and the Docklands, the winking lights of the Post Office Tower and Crystal Palace. In the distance, the hills.
Down in Camden, London is in your throat. The lowest point in the city, a sink for pollution, noise, destitution. But it’s here that you find the raw material to make the world in the way that you hear it. Walking through the congested streets and alleys, you’re assaulted by a myriad sounds, looks and smells from all over the world, each with its own memory and possibility.
How to make sense of this? Go with the flow, find what has been forgotten, put it together in a new way.
The idea is mental freedom: transformation of the familiar. Stay busy, out of phase, in love.
J.S.


https://www.youtube.com/watch?v=1mw0X85j8Go
 
To εικονοκλιπ της ημερας.

Απο την ομωνυμη ταινια.

Scars _ The lady in the car with glasses on and a gun

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