Το videoclip της ημέρας
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Απίστευτα...
Εδώ μιλάμε για 90 χρονών άνθρωπο(ελπίζω να μην πει κατι ο Watson και για αυτόν), ο οποίος συνομιλεί με μια απίστευτη γλυκύτητα και ταχύτητα..με την μουσική.
christos
Supreme Member
http://www.youtube.com/watch?v=v-y2I0TYxb0
Naqoyqatsi: Life as war
is a documentary film released in 2002; it is the third and final film of the Qatsi trilogy by Godfrey Reggio,scored by Philip Glass. The film focuses on society's transition from a natural environment to a technology-based industrial environment.
The name of the film is a Hopi word meaning "life as war".
Pay attention to the first image that opens the film; it's a painting done in 1563 of The "Little" Tower of Babel, by Pieter Brueghel the Elder with a great significance in the narative sequence of the documentary.
http://www.imdb.com/title/tt0145937/
Naqoyqatsi, or Naqoyqatsi: Life as War, is a film which could be described as an experimental documentary, although not a straightforward documentation of reality, or an art film.[1] It is the third and final film of the 1983-2002 Qatsi trilogy written, directed, and produced by Godfrey Reggio, and edited by Jon Kane. The three films of the trilogy have musical scores by composer Philip Glass, but no commentary or speech. The music is more in the traditional orchestral tradition than much of Glass's work as a familiar doorway to images so disconnected from the familiar world. One instrument, the cello played by Yo-Yo Ma, plays a single line running through the entire piece. Some unconventional instruments are used in addition to traditional ones, including a didgeridoo and an electronically-created Jew's harp.[2]
Naqoyqatsi focuses on society's transition from a natural environment to a technology-based industrial environment. The name of the film is a Hopi word (written properly as naqö̀yqatsi) meaning "life as war". In contrast to the first two parts, 80% of Naqoyqatsi was created from archive footage and stock images, manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced Computer generated imagery. Reggio described the process as "virtual cinema".[2] The World Trade Center, very near the studio, was attacked on 11 September 2001 during the making of the film, which had an impact on the film and convinced those making it of the importance of its subject.[2]
Those involved with the project agree that Naqoyqatsi is best experienced rather than described.[2]
There was some controversy over the production process after the film was released on DVD. Since most of the archive and stock footage used in the film were shot in a 4:3 aspect ratio, most of the film was horizontally stretched to accommodate the wider aspect ratio used in the cinema and in the DVD transfer........http://en.wikipedia.org/wiki/Naqoyqatsi
Naqoyqatsi: Life as war
is a documentary film released in 2002; it is the third and final film of the Qatsi trilogy by Godfrey Reggio,scored by Philip Glass. The film focuses on society's transition from a natural environment to a technology-based industrial environment.
The name of the film is a Hopi word meaning "life as war".
Pay attention to the first image that opens the film; it's a painting done in 1563 of The "Little" Tower of Babel, by Pieter Brueghel the Elder with a great significance in the narative sequence of the documentary.
http://www.imdb.com/title/tt0145937/
Naqoyqatsi, or Naqoyqatsi: Life as War, is a film which could be described as an experimental documentary, although not a straightforward documentation of reality, or an art film.[1] It is the third and final film of the 1983-2002 Qatsi trilogy written, directed, and produced by Godfrey Reggio, and edited by Jon Kane. The three films of the trilogy have musical scores by composer Philip Glass, but no commentary or speech. The music is more in the traditional orchestral tradition than much of Glass's work as a familiar doorway to images so disconnected from the familiar world. One instrument, the cello played by Yo-Yo Ma, plays a single line running through the entire piece. Some unconventional instruments are used in addition to traditional ones, including a didgeridoo and an electronically-created Jew's harp.[2]
Naqoyqatsi focuses on society's transition from a natural environment to a technology-based industrial environment. The name of the film is a Hopi word (written properly as naqö̀yqatsi) meaning "life as war". In contrast to the first two parts, 80% of Naqoyqatsi was created from archive footage and stock images, manipulated and processed digitally on non-linear editing (non-sequential) workstations and intercut with specially-produced Computer generated imagery. Reggio described the process as "virtual cinema".[2] The World Trade Center, very near the studio, was attacked on 11 September 2001 during the making of the film, which had an impact on the film and convinced those making it of the importance of its subject.[2]
Those involved with the project agree that Naqoyqatsi is best experienced rather than described.[2]
There was some controversy over the production process after the film was released on DVD. Since most of the archive and stock footage used in the film were shot in a 4:3 aspect ratio, most of the film was horizontally stretched to accommodate the wider aspect ratio used in the cinema and in the DVD transfer........http://en.wikipedia.org/wiki/Naqoyqatsi
Last edited:
christos
Supreme Member
http://www.youtube.com/watch?v=EoOdhKYj8Bc&feature=fvwrel
owaqqatsi, or Powaqqatsi: Life in Transformation, is the 1988 sequel to the experimental 1982 documentary film Koyaanisqatsi, by Godfrey Reggio. It is the second film in the Qatsi trilogy.
Powaqqatsi is a Hopi word meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in third world countries between traditional ways of life and the new ways of life introduced with industrialization. As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass. Here, human voices (especially children's and mainly from South America and Africa) appear more than in Koyaanisqatsi, in harmony with the film's message and images.
Content
In the beginning chapter, "Serra Pelada", men from Serra Pelada (a gold mine in Brazil) are seen carrying bags of dirt up to a destination. In the middle of the chapter, various shots outside of Serra Pelada are shown. Near the end of the chapter, a few men are carrying another man who was struck by a falling rock (mentioned in the "Impact of progress" feature on the DVD) uphill along a procession of workers who are carrying dirt filled sacks. After that, several discordant layered exposures of the dirt carriers are shown. The scene cross fades to show the image of a head, with multiple exposures of the same head rapidly rotating and layered upon to give a manifold appearance. This is an apparent allusion to Janus, the god of beginnings, endings and transitions, keeping with the film's central themes of progress and change. After that, the film's title is shown in red. In Anthem: Part 1, the sun rises up above an African village. Later, a man raises a sail for a boat. The next chapter, That Place, starts zooming out from a waterfall. Children can be heard laughing. Villages are shown as well as children and upside down water reflections. Anthem: Part 2 has various shots of villages and islands shown......http://en.wikipedia.org/wiki/Powaqqatsi
http://www.imdb.com/title/tt0095895/
owaqqatsi, or Powaqqatsi: Life in Transformation, is the 1988 sequel to the experimental 1982 documentary film Koyaanisqatsi, by Godfrey Reggio. It is the second film in the Qatsi trilogy.
Powaqqatsi is a Hopi word meaning "parasitic way of life" or "life in transition". While Koyaanisqatsi focused on modern life in industrial countries, Powaqqatsi, which similarly has no dialogue, focuses more on the conflict in third world countries between traditional ways of life and the new ways of life introduced with industrialization. As with Koyaanisqatsi and the third and final part of the 'Qatsi' trilogy, Naqoyqatsi, the film is strongly related to its soundtrack, written by Philip Glass. Here, human voices (especially children's and mainly from South America and Africa) appear more than in Koyaanisqatsi, in harmony with the film's message and images.
Content
In the beginning chapter, "Serra Pelada", men from Serra Pelada (a gold mine in Brazil) are seen carrying bags of dirt up to a destination. In the middle of the chapter, various shots outside of Serra Pelada are shown. Near the end of the chapter, a few men are carrying another man who was struck by a falling rock (mentioned in the "Impact of progress" feature on the DVD) uphill along a procession of workers who are carrying dirt filled sacks. After that, several discordant layered exposures of the dirt carriers are shown. The scene cross fades to show the image of a head, with multiple exposures of the same head rapidly rotating and layered upon to give a manifold appearance. This is an apparent allusion to Janus, the god of beginnings, endings and transitions, keeping with the film's central themes of progress and change. After that, the film's title is shown in red. In Anthem: Part 1, the sun rises up above an African village. Later, a man raises a sail for a boat. The next chapter, That Place, starts zooming out from a waterfall. Children can be heard laughing. Villages are shown as well as children and upside down water reflections. Anthem: Part 2 has various shots of villages and islands shown......http://en.wikipedia.org/wiki/Powaqqatsi
http://www.imdb.com/title/tt0095895/
Last edited:
Haagenti
AVClub Fanatic
To έχω ξαναβάλει,αλλά μια φορά ποτέ δεν είναι αρκετή......Σπουδαία μπάντα...
http://www.youtube.com/watch?v=fCSGM5mBrWY
you're just an Object to me
I'd like to get to know you better
paste you across my body
you're just an object to me
you're just a piece of meat
and I am the butcher
I love you better, love you forever
you're just an object to me
why sit in the shade
drink what we made from our lovers cup
dreams don't always come when you fall asleep
you're just an object to me
I'm gonna do something wrong
nobody's gonna like it
but I've got my pride and my time isn't free
you're just an object to me
you're just an object to me
I feel a little better
they found your sweater
you're just an object to me
http://www.youtube.com/watch?v=fCSGM5mBrWY
you're just an Object to me
I'd like to get to know you better
paste you across my body
you're just an object to me
you're just a piece of meat
and I am the butcher
I love you better, love you forever
you're just an object to me
why sit in the shade
drink what we made from our lovers cup
dreams don't always come when you fall asleep
you're just an object to me
I'm gonna do something wrong
nobody's gonna like it
but I've got my pride and my time isn't free
you're just an object to me
you're just an object to me
I feel a little better
they found your sweater
you're just an object to me
Σπύρος Σούρλας
AVClub Fanatic
Δημήτρης Θ.
AVClub Fanatic
- 17 June 2006
- 12,626
Σπύρος Σούρλας
AVClub Fanatic
http://www.youtube.com/watch?v=XHTNHwJaYc4
Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life
Wear your blouse undone to hear
And your skirt split up to here
Oh Dress sexy at my funeral my good wife
For the first time in your life
Oh Dress sexy at my funeral my good wife
Wink at the minister
Blow kisses to my grieving brothers
Dress sexy at my funeral my good wife
And when it comes your turn to speak before the crowd
Tell them about the time we did it
On the beach with fireworks above us
On the railroad tracks with the gravel in your back
In the back room of a crowded bar
And in the graveyard where my body now rests
Oh Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life
Also tell them about how I gave to charity
And tried to love my fellow man as best i could
But most of all don't forget about the time on the beach
With fireworks above us
Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life
Wear your blouse undone to hear
And your skirt split up to here
Oh Dress sexy at my funeral my good wife
For the first time in your life
Oh Dress sexy at my funeral my good wife
Wink at the minister
Blow kisses to my grieving brothers
Dress sexy at my funeral my good wife
And when it comes your turn to speak before the crowd
Tell them about the time we did it
On the beach with fireworks above us
On the railroad tracks with the gravel in your back
In the back room of a crowded bar
And in the graveyard where my body now rests
Oh Dress sexy at my funeral my good wife
Dress sexy at my funeral my good wife
For the first time in your life
Also tell them about how I gave to charity
And tried to love my fellow man as best i could
But most of all don't forget about the time on the beach
With fireworks above us
Σπύρος Σούρλας
AVClub Fanatic
http://www.youtube.com/watch?v=t2uI6f5cWS8
The curtain slaps in the wind
A human sound of fleshy flesh
Little fists pummel absently
To birth the spirit in the room
The wind it seems to lick
The wind it seems to suck
The wind is a great big woman
That makes the hair on the back of my neck stand up
My body seems to be lacking something
I remember the taste
That on a night like this
Wa sonly ever shed in haste
All these moments have passed through me
I have turned them all to waste
There are women on the street
They shine before me like teeth in a mine
And their are voices on the street
One of them is mine
If I watched from a high hidden window
I'd hear myself say
Oh I can't make it out
I'm too far away
But the conversation is like the beating
Taken in a dream
Where no real blows are landed
The only harm is in memory
All these women have passed through me
I have turned them all to waste
The curtain slaps in the wind
A human sound of fleshy flesh
Little fists pummel absently
To birth the spirit in the room
The wind it seems to lick
The wind it seems to suck
The wind is a great big woman
That makes the hair on the back of my neck stand up
My body seems to be lacking something
I remember the taste
That on a night like this
Wa sonly ever shed in haste
All these moments have passed through me
I have turned them all to waste
There are women on the street
They shine before me like teeth in a mine
And their are voices on the street
One of them is mine
If I watched from a high hidden window
I'd hear myself say
Oh I can't make it out
I'm too far away
But the conversation is like the beating
Taken in a dream
Where no real blows are landed
The only harm is in memory
All these women have passed through me
I have turned them all to waste
Haagenti
AVClub Fanatic
Σπύρος Σούρλας
AVClub Fanatic
Απάντηση: Re: Το videoclip της ημέρας
Αμ πώς...
Και πούσαι..Ο Λύμπε παρουσιασε αυτον τού 2005..
Αλλά και τό dongs of sevotion τού 2000 έχει εξαιρετικά δυνατές στιγμές...
Αυτά τά δυό για μένα ειναι super.Καί οχι μόνον.................
Αμ πώς...
Και πούσαι..Ο Λύμπε παρουσιασε αυτον τού 2005..
Αλλά και τό dongs of sevotion τού 2000 έχει εξαιρετικά δυνατές στιγμές...
Αυτά τά δυό για μένα ειναι super.Καί οχι μόνον.................
Haagenti
AVClub Fanatic
Re: Απάντηση: Re: Το videoclip της ημέρας
Και τα δυο υπάρχουν στις παρουσιάσεις...και αυτό είναι θετικό...
Και τα δυο υπάρχουν στις παρουσιάσεις...και αυτό είναι θετικό...
Haagenti
AVClub Fanatic
Αυτόν τον μπαγάσα,που μοιάζει σαν ξυλοκόπος με eye liner ,τον έβαλα στο πάνθεον με τις ιδιαίτερες αδυναμίες μου απο την στιγμή που τον πρωτακουσα,,,,
Ξέρει να στήνει μελωδίες απ το πουθενά...Σαν αγριόχορτο ξέρει να φυτρώνει εκεί που δεν τον σπέρνουν...
Θεωρητικά δεν παίζει trip hop αλλά έχει φτιάξει το καλύτερο trip hop κομμάτι της δεκαετίας και βαλε (trouble)
Λοιπόν,,you are the blood ,,,,mister Raymond Raposa....
http://www.youtube.com/watch?v=SDjzLH8FYR4
http://www.youtube.com/watch?v=HezznYnR2Qk
Ξέρει να στήνει μελωδίες απ το πουθενά...Σαν αγριόχορτο ξέρει να φυτρώνει εκεί που δεν τον σπέρνουν...
Θεωρητικά δεν παίζει trip hop αλλά έχει φτιάξει το καλύτερο trip hop κομμάτι της δεκαετίας και βαλε (trouble)
Λοιπόν,,you are the blood ,,,,mister Raymond Raposa....
http://www.youtube.com/watch?v=SDjzLH8FYR4
http://www.youtube.com/watch?v=HezznYnR2Qk
Last edited:
Aggelos M.
AVClub Fanatic
- 19 June 2006
- 11,035
kblachos
Μέλος Σωματείου
Σπύρος Σούρλας
AVClub Fanatic
http://www.youtube.com/watch?v=XF-DNbZG1Zg
I know your teeth have gnashed through death
Still you come to me
So gently
Find a soft place on your body
And rub me with it
Oh, this I won't soon forget
You're the one that will remain
You're the one that will remain
Bust a lock with a rock
Don't need a key to have me
This was your cold discovery
We needed a fever, we needed a cure
The bait no longer lured
Say goodbye, if you can
The car waits for me
Just across the border
Wish me luck, no good luck
No bad luck, just wish me luck
With my cold discovery
You are gone
My cold discovery
You're the one that will remain
Well, I can hold a woman down on a hardwood floor
Well, I can hold a woman down on a hardwood floor
And your teeth can gnash right through me
Looking for a soft place
And of this you won't soon forget
I had no soft place for you to rest
And this was your, your cold discovery
Your cold discovery
Well, I can hold a woman down on a hardwood floor
Well, I can hold a woman down on a hardwood floor
This was my, my cold discovery
My cold discovery
If you saw it for what it really was
My cold discovery
My cold discovery
My cold discovery
I know your teeth have gnashed through death
Still you come to me
So gently
Find a soft place on your body
And rub me with it
Oh, this I won't soon forget
You're the one that will remain
You're the one that will remain
Bust a lock with a rock
Don't need a key to have me
This was your cold discovery
We needed a fever, we needed a cure
The bait no longer lured
Say goodbye, if you can
The car waits for me
Just across the border
Wish me luck, no good luck
No bad luck, just wish me luck
With my cold discovery
You are gone
My cold discovery
You're the one that will remain
Well, I can hold a woman down on a hardwood floor
Well, I can hold a woman down on a hardwood floor
And your teeth can gnash right through me
Looking for a soft place
And of this you won't soon forget
I had no soft place for you to rest
And this was your, your cold discovery
Your cold discovery
Well, I can hold a woman down on a hardwood floor
Well, I can hold a woman down on a hardwood floor
This was my, my cold discovery
My cold discovery
If you saw it for what it really was
My cold discovery
My cold discovery
My cold discovery
nikosmelt
AVClub Addicted Member
http://www.youtube.com/watch?v=N6c7HzsJOVU&feature=related
Από τα αγαπημένα μου τραγούδια. Μια απίστευτη Dulce και ένας Νταλάρας από τα παλιά.
Υ.Γ. Ναι, το ομολογώ, μου αρέσει ο Νταλάρας!
Από τα αγαπημένα μου τραγούδια. Μια απίστευτη Dulce και ένας Νταλάρας από τα παλιά.
Υ.Γ. Ναι, το ομολογώ, μου αρέσει ο Νταλάρας!
nikosmelt
AVClub Addicted Member
http://www.youtube.com/watch?v=2CCpWo35TqE
Και ένα ακόμη λατρεμένο τραγούδι. Μουσική του δικού μας (Κατερινιώτης γαρ) Χάρη Παπαδόπουλου σε ένα ποίημα του μεγάλου Νίκου Καββαδία για τον Ερνέστο Γκεβάρα. Ερμηνεία ο μεγάλος Βασίλης Λέκκας.
Και ένα ακόμη λατρεμένο τραγούδι. Μουσική του δικού μας (Κατερινιώτης γαρ) Χάρη Παπαδόπουλου σε ένα ποίημα του μεγάλου Νίκου Καββαδία για τον Ερνέστο Γκεβάρα. Ερμηνεία ο μεγάλος Βασίλης Λέκκας.