Το videoclip της ημέρας

http://www.youtube.com/watch?v=EVTngRCf9vk&feature=related

'They avoided, with their straight faces and their art determination, their documentary approach and their presence of mind, the rock-and-blues Anglo-American pressure that was, in the late sixties, dominating the sound of non-classical new music. Committed to carrying on German culture from where it had been violently amputated in the thirties by the Nazis, determined to find a new German identity in a country just revocering from the carnage and guilt of the Second World War, they looked towards the purity and beauty of the German Bauhaus movement and the rigorous experimental curiosity and technological power of leading German avant-garde composer Stockhausen. From Bauhaus they took the philosophy that the work of artists should not be a simple reflection of individual creativity but should be inseparable from the surrounding technology and community. They carried forward Stockhausen's work in developing the technological means for producing electronic music, and a sensitivity to how sounds from the new environment could be involved in the music. By taking Germanic sources from the thirties and fifties, they were commenting on the book-ends to either sides of the demonised role of the Germans in the forties.'

Paul Morley
 
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Απάντηση: Re: Το videoclip της ημέρας

...
'They avoided, with their straight faces and their art determination, their documentary approach and their presence of mind, the rock-and-blues Anglo-American pressure that was, in the late sixties, dominating the sound of non-classical new music. Committed to carrying on German culture from where it had been violently amputated in the thirties by the Nazis, determined to find a new German identity in a country just revocering from the carnage and guilt of the Second World War, they looked towards the purity and beauty of the German Bauhaus movement and the rigorous experimental curiosity and technological power of leading German avant-garde composer Stockhausen. From Bauhaus they took the philosophy that the work of artists should not be a simple reflection of individual creativity but should be inseparable from the surrounding technology and community. They carried forward Stockhausen's work in developing the technological means for producing electronic music, and a sensitivity to how sounds from the new environment could be involved in the music. By taking Germanic sources from the thirties and fifties, they were commenting on the book-ends to either sides of the demonised role of the Germans in the forties.'

Paul Morley

Τα κουμπάκια των σύνθις και το αλά ευχουχισμένου ΤζώνΤζών τυποποιημένο παρουσιαστικό τους ήταν μόνο το κουκούλι. Η πάνκ ψυχή τους έκριβε την μεγάλη τέχνη να ταιριάζουν προτότυπα κινήματα που περίμεναν 50 χρόνια να ανακαλυφθούν από πολίτες με σεβασμό στην ανθρωπιά τους με τον pop μανδύα. Αξεπέραστοι οι Kraftwerk ακόμη και σήμερα εκπέμουν σε συχνότητες που μπορούμε να πιάσουμε αλλά χεζόμαστε να σηκώσουμε το χέρι.
:worshippy:
 
watch
Προσεξε τα τελευταια 3 ''
 
http://www.youtube.com/watch?v=tRWSy3RhW0w

she is benediction
she is addicted to thee
she is the root connection
she is connecting with he

here I go and I don't know why
I fell so ceaselessly
could it be he's taking over me...

I'm dancing barefoot
heading for a spin
some strange music draws me in
makes me come on like some heroin/e

she is sublimation
she is the essence of thee
she is concentrating on
he, who is chosen by she

here I go and I don't know why
I spin so ceaselessly,
could it be he's taking over me...

[chorus]

she is re-creation
she, intoxicated by thee
she has the slow sensation that
he is levitating with she ...

here I go and I don't know why,
I spin so ceaselessly,
'til I lose my sense of gravity...

[chorus]

(oh god I fell for you ...)

the plot of our life sweats in the dark like a face
the mystery of childbirth, of childhood itself
grave visitations
what is it that calls to us?
why must we pray screaming?
why must not death be redefined?
we shut our eyes we stretch out our arms
and whirl on a pane of glass
an afixiation a fix on anything the line of life the limb of a tree
the hands of he and the promise that s/he is blessed among women.

(oh god I fell for you ...)