Versus - Συγκριτικά μηχανών στην εικονοληψία

Σύγκριση της FX3 με την Panasonic S1 II στο βίντεο

To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
 
Nikon ZR vs RED!
Δείτε τα skintones...
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
Δεν υπάρχει άλλη μηχανή - ιδίως στη τιμή αυτή - που να γράφει σε 3 raw codecs - RedCode, Prores Raw & N-Raw... χώρια το AF, IBIS, Fullframe, PDAF... & 15 stops DR!
 
Last edited:
  • Like
Reactions: Γιαννης Σπυρου and takisot
Αν προσθέσουνε μέσω firmware , open gate , anamorphic desqueze και false colour , θα είναι πολύ πληρες σύστημα για βίντεο.

Στα λεφτά της είναι κελεπουρι...

Sent from my 24030PN60G using Tapatalk
 
  • Like
Reactions: evanfotis
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Blackmagic Pyxis 12K vs Sony FX3...Comparison Footage​



To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

FX3 vs PYXIS 12K - SkinTones pt1​

Benjamin Braten
 
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

Key takeaways​

  • Autofocus: Tie with modern lenses; slight system edge to S1 Mark II.
  • Color: Both strong; GH7 rendering was often preferred.
  • Dynamic range: Full‑frame advantage; DR Boost behavior favors GH7 at 50p.
  • Low light: S1 Mark II wins with cleaner high ISOs.
  • Ergonomics: Both great; S1 Mark II’s SNQ switch is a smart usability win.
  • IBIS: Both excellent; Standard e‑stabil looks most natural.
  • Overheating: GH7 is bulletproof in heat; S1 Mark II can overheat on CFexpress.
  • Formats: Both do open gate and RAW; S1 Mark II adds in‑camera 2.40:1; GH7 offers a handy 4.4K 50/60p option.
 
Top Bottom