- 29 October 2008
- 8,993
65"...[hdfever.fr]...Sony KD-65X9005B review...http://www.hdfever.fr/2014/06/13/test-sony-kd-65x9005b/
μετάφραση google fr to en
Teardown Sony KD-65X9005B
source photos:[hdfever.fr]
Settings for use Blu-ray
To get as close as possible the recommendations ISF dark room, here are the settings I applied (a temperature of 6500K, white D65, gamma 2.4 in dark room is sought). But attention, as I often say, the main thing is to have fun and not necessarily follow a standard. Some do not like the cinema standards, finding too warm colors. For my part I am familiar with these settings, I love the pictures typed cinema. In short, everyone does as he feels it is only a proposal
What is certain is that with the little tweaks we get offered here an excellent result for a Delta E 1 on the gray scale and less than 1.3 on the color space.
Details: take care to disable the light sensor is enabled by default.
Picture Mode: Cinema 2
Backlight: 1 (as said, the X-Tended Range Dynaic significantly increased the brightness of the panel, so 1, but note that if you enter 4K image will be brighter, so you can turn the backlight off altogether if you find it too bright and black too shallow)
Contrast: 92
Brightness: 48
Colors: 52
Tint: 0
Temperature: HOT 2
Sharpness: 55
All gear noise filters Off
Reality Creation: One with a Blu-ray player that plays 1080p video processing and without (off with the OPPO or other drives with UHD + upscaling processing, or if you use an external video processor as Rdiance of Lumagen)
Mastered in 4K: Yes if the Blu-ray player has no 4K upscaling and only with 1080/24p content
Resolution: 35
Noise Reduction: Low
Smooth gradients: No (smooth image, reduces a little dive, but if you are sensitive to posterization, then enable this setting)
Motionflow: To each his own for this parameter, for my part I put Standard because it is a 100Hz panel, and therefore less fluid on the Cinema, NET + and NET forms a slab 200 Hz Note that 'SBM with a compatible Sony reader, the picture is slightly more fluid. Also note that only the Standard and Medium modes do not change the peak light or gamma, the Pulse, NET + and NET darken the image and thus change the backlight settings modes, contrast, brightness and gamma)
Film Mode: Auto
Fix Black: Off (tends to clog black)
Improved Contrast: Off (dynamic contrast should be avoided because it burns white, creates light fluctuations, and with this new slab X-tended Dynamic Range is even worse than before, a bright peak is going to 115 cd / m² more than 300 by activating!)
Gamma: -3 (to get to a gamma of 2.4, so for the cinema, if not lit room or day must be put to -1 for gamma 2.22)
LED Dynamic Control: Standard (very efficient, improves the contrast and clear Clouding, but you can disable it if you blooming gene (light halo effect), the slab is quite contrasting default)
Current limiter: Off
White Correction: Off
Natural Color: Off (saturated colors, stretches the x / y coordinates, so to avoid with the Blu-ray, but can be interesting with animation, gaming and TNT)
White Balance:
GAIN Red: 0
GAIN Green: -7
GAIN Blue: -5
Polarization Red: +1
Green bias: 0
Polarization Blue: -9
Sharpening: Off (This setting provides more relief, it is more efficient, end 4K 1080p on the TV, if you find the image too soft, you can enable it, for my part I prefer to entrust this treatment to the reader).
Detail Enhancement: Off (treatment avoided at all costs, it is too hard, generates noise, ringing effect, and double contour, including Freeview))
Natural rendering skin tones: Yes (unless you get in 4K from the player, it will be unavailable)
I 103EU/105EU accurate than the OPPO player I go in 4K mode and HDMI I'm YCbCr 4:4:4 Deep Color, with Sharpness +2.
With the OPPO 103D/105D: I go in 4K mode and HDMI I'm YCbCr 4:4:4 Deep Color, High Def Darbee with 40% Boost contours 4, it is .
With the Sony BDP-S790 / S6200 or S7200 reader: I go in 4K mode and HDMI I'm YCbCr 4:4:4 (Deep Color and inactive SBM with 4K upscaling, so turn on the SBM TV). I do not touch the settings black, contrast or brightness does not adjust the gamma of the TV. By cons, no image enhancement filter is active when upscale 4K from the BDP-S790 ...
If you play a Blu-ray Mastered in 4K: in this case, you must exit RGB Extended, activate xvYCC on the TV (or set Auto) and use the same settings for the rest.
Settings with the Blu-ray 3D
The goal is the same as the settings for the Blu-ray 2D, except that here to stay in the spirit of stereoscopy and immersion, I find that 3D requires a more fluid picture (it reduces flicker and less fatigue ), so Motionflow on Fluid.
Picture Mode: Cinema 1
Backlight: 3
Contrast: 95
Brightness: 50
Colors: 55
Tint: 0
Temperature: HOT 2
Sharpness: 55
All gear noise filter on off
Reality Creation: On
Mastered in 4K: Yes if the Blu-ray player has no 4K upscaling
Resolution: 35
Noise Reduction: Low
Smooth gradients: No
Motionflow Fluid Mode or Standard (3D, I put fluid because it fits well with the 3D mind)
Film Mode: Auto
Fix Black: Off (tends to clog black)
Improved Contrast: Off (dynamic contrast too aggressive on the slab)
Gamma: -2
LED Dynamic Control: Standard
Current limiter: Off
White Correction: Off
Natural Color: Off (on the animations)
White Balance:
GAIN Red: 0
GAIN Green: -5
GAIN Blue: -3
Polarization Red: +1
Green bias: -1
Polarization Blue: -6
Sharpening: Low
Detail Enhancement: Off
Natural rendering skin tones: Yes
Settings for HD and SD, Satellite TNT, etc.
Here are the settings I used for TNT. The settings are subjective, there is no standard for DTT. For my part I prefer a little colder than the Blu-ray image, with a more neutral white. Mostly, I use fireworks to try to catch the often average quality offered by the DTT channels in general. It is not simple, because the quality of programs varies from one channel to another or even from one program to another, and there is no universal settings, just a little compromise.
Again these are my settings, everyone's tastes, you do as you feel
Picture Mode: Standard
Backlight: 4
Contrast: 88
Brightness: 48
Colors: 52
Tint: 0
Temperature: Warm 1
Sharpness: 55
All gear noise filters to Auto (see OFF with Freeview-HD, but if you do not want to change the settings without stopping, much leave it on Auto)
Reality Creation: Auto
Smooth gradients: Average
Motionflow: Standard Mode
Film Mode: Auto
Fixed black: Low
Improved Contrast: Off
Gamma: -1
LED Dynamic Control: Standard
Current limiter: Off
White Correction: Low
Natural Color: Off (some will surely love to put it on there, so you see
White Balance:
GAIN Red: 0
GAIN Green: 0
Blue GAIN: 0
Polarization Red: +1
Green bias: 0
Polarization Blue: -6
Sharpening: Average
Detail Enhancement: Off (watch this filter creates too much artifact and double contour)
Natural rendering skin tones: Yes
source:[hdfever.fr]
μετάφραση google fr to en
Teardown Sony KD-65X9005B
source photos:[hdfever.fr]
Settings for use Blu-ray
To get as close as possible the recommendations ISF dark room, here are the settings I applied (a temperature of 6500K, white D65, gamma 2.4 in dark room is sought). But attention, as I often say, the main thing is to have fun and not necessarily follow a standard. Some do not like the cinema standards, finding too warm colors. For my part I am familiar with these settings, I love the pictures typed cinema. In short, everyone does as he feels it is only a proposal
What is certain is that with the little tweaks we get offered here an excellent result for a Delta E 1 on the gray scale and less than 1.3 on the color space.Details: take care to disable the light sensor is enabled by default.
Picture Mode: Cinema 2
Backlight: 1 (as said, the X-Tended Range Dynaic significantly increased the brightness of the panel, so 1, but note that if you enter 4K image will be brighter, so you can turn the backlight off altogether if you find it too bright and black too shallow)
Contrast: 92
Brightness: 48
Colors: 52
Tint: 0
Temperature: HOT 2
Sharpness: 55
All gear noise filters Off
Reality Creation: One with a Blu-ray player that plays 1080p video processing and without (off with the OPPO or other drives with UHD + upscaling processing, or if you use an external video processor as Rdiance of Lumagen)
Mastered in 4K: Yes if the Blu-ray player has no 4K upscaling and only with 1080/24p content
Resolution: 35
Noise Reduction: Low
Smooth gradients: No (smooth image, reduces a little dive, but if you are sensitive to posterization, then enable this setting)
Motionflow: To each his own for this parameter, for my part I put Standard because it is a 100Hz panel, and therefore less fluid on the Cinema, NET + and NET forms a slab 200 Hz Note that 'SBM with a compatible Sony reader, the picture is slightly more fluid. Also note that only the Standard and Medium modes do not change the peak light or gamma, the Pulse, NET + and NET darken the image and thus change the backlight settings modes, contrast, brightness and gamma)
Film Mode: Auto
Fix Black: Off (tends to clog black)
Improved Contrast: Off (dynamic contrast should be avoided because it burns white, creates light fluctuations, and with this new slab X-tended Dynamic Range is even worse than before, a bright peak is going to 115 cd / m² more than 300 by activating!)
Gamma: -3 (to get to a gamma of 2.4, so for the cinema, if not lit room or day must be put to -1 for gamma 2.22)
LED Dynamic Control: Standard (very efficient, improves the contrast and clear Clouding, but you can disable it if you blooming gene (light halo effect), the slab is quite contrasting default)
Current limiter: Off
White Correction: Off
Natural Color: Off (saturated colors, stretches the x / y coordinates, so to avoid with the Blu-ray, but can be interesting with animation, gaming and TNT)
White Balance:
GAIN Red: 0
GAIN Green: -7
GAIN Blue: -5
Polarization Red: +1
Green bias: 0
Polarization Blue: -9
Sharpening: Off (This setting provides more relief, it is more efficient, end 4K 1080p on the TV, if you find the image too soft, you can enable it, for my part I prefer to entrust this treatment to the reader).
Detail Enhancement: Off (treatment avoided at all costs, it is too hard, generates noise, ringing effect, and double contour, including Freeview))
Natural rendering skin tones: Yes (unless you get in 4K from the player, it will be unavailable)
I 103EU/105EU accurate than the OPPO player I go in 4K mode and HDMI I'm YCbCr 4:4:4 Deep Color, with Sharpness +2.
With the OPPO 103D/105D: I go in 4K mode and HDMI I'm YCbCr 4:4:4 Deep Color, High Def Darbee with 40% Boost contours 4, it is .
With the Sony BDP-S790 / S6200 or S7200 reader: I go in 4K mode and HDMI I'm YCbCr 4:4:4 (Deep Color and inactive SBM with 4K upscaling, so turn on the SBM TV). I do not touch the settings black, contrast or brightness does not adjust the gamma of the TV. By cons, no image enhancement filter is active when upscale 4K from the BDP-S790 ...
If you play a Blu-ray Mastered in 4K: in this case, you must exit RGB Extended, activate xvYCC on the TV (or set Auto) and use the same settings for the rest.
Settings with the Blu-ray 3D
The goal is the same as the settings for the Blu-ray 2D, except that here to stay in the spirit of stereoscopy and immersion, I find that 3D requires a more fluid picture (it reduces flicker and less fatigue ), so Motionflow on Fluid.
Picture Mode: Cinema 1
Backlight: 3
Contrast: 95
Brightness: 50
Colors: 55
Tint: 0
Temperature: HOT 2
Sharpness: 55
All gear noise filter on off
Reality Creation: On
Mastered in 4K: Yes if the Blu-ray player has no 4K upscaling
Resolution: 35
Noise Reduction: Low
Smooth gradients: No
Motionflow Fluid Mode or Standard (3D, I put fluid because it fits well with the 3D mind)
Film Mode: Auto
Fix Black: Off (tends to clog black)
Improved Contrast: Off (dynamic contrast too aggressive on the slab)
Gamma: -2
LED Dynamic Control: Standard
Current limiter: Off
White Correction: Off
Natural Color: Off (on the animations)
White Balance:
GAIN Red: 0
GAIN Green: -5
GAIN Blue: -3
Polarization Red: +1
Green bias: -1
Polarization Blue: -6
Sharpening: Low
Detail Enhancement: Off
Natural rendering skin tones: Yes
Settings for HD and SD, Satellite TNT, etc.
Here are the settings I used for TNT. The settings are subjective, there is no standard for DTT. For my part I prefer a little colder than the Blu-ray image, with a more neutral white. Mostly, I use fireworks to try to catch the often average quality offered by the DTT channels in general. It is not simple, because the quality of programs varies from one channel to another or even from one program to another, and there is no universal settings, just a little compromise.
Again these are my settings, everyone's tastes, you do as you feel
Picture Mode: Standard
Backlight: 4
Contrast: 88
Brightness: 48
Colors: 52
Tint: 0
Temperature: Warm 1
Sharpness: 55
All gear noise filters to Auto (see OFF with Freeview-HD, but if you do not want to change the settings without stopping, much leave it on Auto)
Reality Creation: Auto
Smooth gradients: Average
Motionflow: Standard Mode
Film Mode: Auto
Fixed black: Low
Improved Contrast: Off
Gamma: -1
LED Dynamic Control: Standard
Current limiter: Off
White Correction: Low
Natural Color: Off (some will surely love to put it on there, so you see
White Balance:
GAIN Red: 0
GAIN Green: 0
Blue GAIN: 0
Polarization Red: +1
Green bias: 0
Polarization Blue: -6
Sharpening: Average
Detail Enhancement: Off (watch this filter creates too much artifact and double contour)
Natural rendering skin tones: Yes
source:[hdfever.fr]
Last edited:
