The 37 Films in the digital retrospective include:
The 1920s
β’ Manhatta (1920-21) by Charles Sheeler, Paul Strand
2K digital restoration from 35mm 1.33:1 black & white silent 16fps, 11:41 minutes; new music by Donald Sosin
β’ Ballet Mechanique (1923-24) by Fernand LΓ©ger, Dudley Murphy
2K digital restoration from 35mm 1.33:1 black & white with color tints silent 20fps, 15:53 minutes; music by George Antheil from original 1924-25 score adapted and arranged by Paul D. Lehrman and remixed by Gustavo Matamoros
β’ AnΓ©mic cinΓ©ma (filmed 1924-25, released 1926) by Rrose SΓ©lavy a.k.a. Marcel Duchamp
35mm 1.33:1 black & white silent 20fps, 6:40 minutes; new music by Gustavo Matamoros
β’ The Life and Death of 9413βA Hollywood Extra (1927) by Robert Florey, Slavko Vorkapich
35mm 1.33:1 black & white silent 20fps, 13:20 minutes; new music by Donald Sosin
β’ Skyscraper Symphony (1929) by Robert Florey
35mm 1.33:1 black & white silent 24fps, 8:53 minutes; new music by Donald Sosin
The 1930s
β’ Mechanical Principles (1930) by Ralph Steiner
35mm 1.33:1 black & white silent 20fps, 10:18 minutes; new music by Eric Beheim
β’ A Bronx Morning (1931) by Jay Leyda
35mm 1.33:1 black & white silent 20fps, 14:05 minutes; new music by Donald Sosin
β’ Lot in Sodom (1930-32, released 1933) by J.S. Watson, Jr., Melville Webber, Alec Wilder, Remsen Wood, Bernard O’Brien.
35mm 1:20:1 black & white sound, 25:53 minutes; music by Louis Siegel
β’ Poem 8 (1932-33) by Emlen Etting
16mm 1.37:1 black & white silent 18fps, 19:40 minutes; new music by Rodney Sauer
β’ An Optical Poem (1937, MGM release 1938) by Oskar Fischinger
35mm 1.33:1 color sound, 7:02 minutes; music Hungarian Rhapsody, No. 2 by Franz Liszt
β’ Thimble Theater (c. 1938, unfinished until 1968) by Joseph Cornell
16mm 1.37:1 black & white with color tint silent 18fps, 6:07 minutes; completed by Lawrence Jordan; new music:
vintage circus organ
The 1940s
β’ Tarantella (1940) by Mary Ellen Bute, Ted Nemeth, animation Norman McLaren
35mm 1.37:1 color sound, 4:24 minutes; music by Edwin Gerschefski
β’ The Pursuit of Happiness (1940) by Rudy Burckhardt
16mm 1.37:1 black & white intentionally silent 16fps, 8:09 minutes
β’ 1941 (1941) by Francis Lee
35mm from 16mm 1.37:1 color sound, 4 minutes; music by Igor Stravinsky
β’ Meshes of the Afternoon (1943) by Maya Deren, A. Hackenschmied
16mm 1.37:1 black & white intentionally silent, 13:46 minutes
β’ Meditation on Violence (1948) by Maya Deren
35mm enlarged from 16mm with 2K digital insert from 16mm 1.37:1 black & white sound, 12:27 minutes; music a mix of Chinese classical flute and drums recorded in Haiti by Maya Deren
β’ In the Street (filmed 1945-46, released 1948, 1952) by Helen Levitt, Janice Loeb, James Agee.
16mm 1.37:1 black & white silent 18fps, 16:50 minutes; music by Arthur Kleiner
Disc 2
The 1950s
β’ Four in the Afternoon (1950-51) by James Broughton
16mm 1.37:1 black & white sound, 14 minutes; music by William O. Smith
β’ Abstronic (1952) by Mary Ellen Bute, Ted Nemeth
35mm 1.37:1 color sound, 5:45 minutes; music Hoe Down by Aaron Copland, Ranch House Party by Don Gillis
β’ Eaux d’artifice (1953) by Kenneth Anger
16mm 1.37:1 black & white tinted color sound, 12:57 minutes; music βWinterβ movement of The Four Seasons by
Antonio Vivaldi
β’ Bells of Atlantis (1952-53) by Ian Hugo, AnaΓ—s Nin, Len Lye
16mm 1.37.1 color sound, 9:27 minutes; electronic music Louis & Bebe Barron.
β’ Evolution (1954) by Jim Davis
16mm 1.37:1 color sound, 8:01 minutes.
β’ Gyromorphosis (1954) by Hy Hirsh
16mm 1.37:1 color sound, 6:40 minutes; music: Django by John Lewis, played by the Modern Jazz Quartet
β’ Hurry, Hurry! (1957) by Marie Menken
16mm 1.37:1 color sound, 4:27 minutes.
β’ N.Y., N.Y. (filmed 1949-57, released 1958) by Francis Thompson
35mm from 16mm 1.37:1 color sound, 15:10 minutes; music by Gene Forrell
The 1960s
β’ 9 Variations on a Dance Theme (1966/67) by Hilary Harri
16mm 1.37 black & white sound, 12:39 minutes; music by McNeil Robinson.
β’ Castro Street (The Coming of Consciousness) (1966) by Bruce Baillie
16mm 1.37:1 color sound, 9:59 minutes
β’ Film That Rises to the Surface of Clarified Butter (1968) by Owen Land, formerly George Landow
16mm 1.37:1 black & white sound, 8:26 minutes
β’ Excerpt from Walden: Diaries, Notes and Sketches (1969) by Jonas Mekas
16mm 1.37:1; color sound excerpt end of Reel 5 and beginning of Reel 6, 13:05 minutes; music by FrΓ©dΓ©ric Chopin, Group Image
β’ Our Lady of the Sphere (1969) by Lawrence Jordan
35mm from 16mm 1.37:1 color sound, 9:14 minutes
1970
β’ Love It / Leave It (1970) by Tom Palazzolo
16mm 1.37:1; color sound, 14:07 minutes; music by Ray Whilding White
β’ DL2 (Disintegration Line #2) (1970) by Lawrence Janiak
16mm 1.37:1 color sound, 11:46 minutes; music Bumblebees Sip Honey by Peliatan Gamelan
β’ Transport (1970) by Amy Greenfield
16mm 1.37:1 color sound, 5:43 minutes; music by Indiran
Legacy Bonus Films
β’ Sappho and Jerry, Parts 1-3 (1977-78) by Bruce Posner
35mm 2.55:1 reformatted to 1080 color sound, 5:35 minutes
β’ Ch’an (1983) by Francis Lee
16mm 1.37 black & white sound, 6:08 minutes; music by Christopher Atwood
⒠Seasons⦠(2002) by Phil Solomon, Stan Brakhage
16mm 1.37:1 color silent, 16:00 minutes
β’ Manhatta (1920-21) by Charles Sheeler, Paul Strand
See first entry β new music composed and performed by Henry Wolfe and Phil Carluzzo.
β’ 28-page booklet featuring an essay and extensive notes on restorations by curator, filmmaker, and film historian Bruce Posner
2 NTSC DVDs!
ειναι αλλο μεγαλο θεμα.
